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I try to push ideas away, and the ones that will not leave me alone are the ones that ultimately end up happening.
J. J. Abrams
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J. J. Abrams
Age: 58
Born: 1966
Born: June 27
Actor
Composer
Executive Producer
Film Actor
Film Director
Film Producer
Film Score Composer
Manufacturer
Screenwriter
Showrunner
New York City
New York
Jeffrey Jacob Abrams
J.J. Abrams
J J Abrams
JJ Abrams
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Push
Ideas
Ultimately
Trying
Happenings
Happening
Ones
Leave
Alone
Away
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It's more important you learn what to make movies about than how to make movies
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I'm obsessed with things that are distinctly analogue.
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Withholding things in a story is no good if you aren't building to something substantial. It becomes foreplay without the main event, and no one wants that.
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I believe in anything that will engage the audience and make the story more effective.
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Whenever I've directed something, there's this feeling of demand and focus that I like.
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It is an incredible thing to see how many crazy things get thrown out that people then often write commentaries about how happy they are or how disappointed they are about something that's completely false. But, it's a lot of noise, frankly.
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I'm working on the Star Wars script today and the people in my office have covered up all my windows with black paper. I guess they wanted to make sure no one could see what I was doing. It seems rather extreme.
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I was just like, I want to make a decent 2-D movie. I was so worried that, instead of being a decent 2-D movie, it would have been a bad 3-D one.
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Don't sell your story, just tell your story.
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It's not a bad way to live once you let go of the idea that you deserve more.
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As a director/writer/producer, all you ever want is to work with actors who make you look better, who make the work you do seem as good as it can be and even better than it is.
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We're always pitching ideas and being told no thank you. No offense taken, because I would so much rather be told the truth that they're not interested and be able to find the right show for that network down the line.
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When I was a kid going into the movies, you weren't force-fed information everywhere you looked about what the movie was going to be.
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Robotics are beginning to cross that line from absolutely primitive motion to motion that resembles animal or human behavior.
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I love movies with spectacle but spectacle can be a performance, it doesn't have to be a creature.
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I do feel like no matter what you're doing, whether it's music or writing a play or a poem or drawing a picture or painting something, that you're speaking to what is it you want to express, what is it you want to see.
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I remember being taught to read at a very early age. Like creepy young. I remember being in the crib, reading. My parents were very impressed. My reading speed, comprehension and overall ability has remained at that level ever since.
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There's nothing wrong with doing sequels, they're just easier to sell.
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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It's not often that I read about actors that I'm going to be meeting. I get to read articles about actors who were going to come in, so I get to see someone and say, Oh, I read that I was going to see you. It's very nice to see you.
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