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Jeff always says, In the cinema, everybody goes to sci-fi. Those are the biggest movies. But, in television, nobody wants to touch it with a barge pole. It's strange. I think it's because maybe there's a legacy of television shows that depicted sci-fi in a certain way that turns off a lot of viewers, so maybe there's a negative connotation.

J.H. Wyman

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No love story worth telling is easy. The hills and valleys that make a relationship, in my opinion, is really a dynamic worth watching.
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It's so funny because, when the other world was being hatched and conceived, I just kept hearing, Don't do that! That's a huge mistake! People love your characters. Why go to these new ones? And I was like, No, we can do this! I'm invested. Why wouldn't they be?
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What's a hero, if not for its journey. I think you're going to recontextualize what saving the world means, and I think that you will be satisfied with the stakes. That's all I can say about that.
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First of all, directing was the most incredible experience. When you run a television show, directing is something that not many people actually get the time to do because you're so consumed with everything that's going on. You can't just disappear.
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There are a lot of shows that have secrets and string people along and use the secrets of the narrative engine to keep people coming back every week. I don't know if those programs even have an answer. I don't know how they build their shows.
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The way that I work is that I try to work in metaphors, and you can't write a metaphor unless you know where you're going, so I always think about the future.
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Fortunately, at the end of every season, we close the chapter and start anew. That's the language of the series now, so it can organically come to a conclusion that we love.
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Blade Runner' is one of my favorite films.
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What was so great about Lost was that it came to the front door as a drama that was straight-up and really gave you the sci-fi underneath it all. It backed into sci-fi show, at least in my opinion. As soon as they got hooked, they were like, Okay, I'm there.
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We can't say anything, but just remember that, on Fringe, nothing is as it seems. There's always a little more to the story behind the story. He's definitely a large part, going forward. A lot of things will come full circle.
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I would much rather have somebody say, You know what? I just didn't like what you were doing, then say, They didn't know what they were doing. I know what I'm doing. If it's going to be bad, or if it's great, it's me, in either case.
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I want to feel that my characters evolved into a place that they deserved, that was sometimes unexpected, but where I would feel satiated that logically they have come to a conclusion that makes me feel satisfied.
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What's a hero if not for its journey.
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Sometimes something you thought wouldn't really be as big as it was blows up into something else.
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Never in my career have I got the support for what I'm doing, any more than I have on Fringe.
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I'm not interested in leaving it open-ended. That would just cause me frustration. I wouldn't be satisfied. What's really cool about Fringe, and one of the things we did do right, was that the way we chose to tell the story was that, with every season, there was a closure and then a new chapter. That allowed us to actually make the closure.
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Blade Runner is one of my favorite films. But, so many thing influenced me that aren't science fiction because they were just good drama. I grew up watching a lot of French cinema. I was in love with The English Patient, and movies that are very romantic in nature and have a positive message. That's a large part of my fingerprint.
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The future that I see celebrates those types of like-minded ideals and ideas. I don't know what's coming, but I know that we're not going to get knocked out so easy.
J.H. Wyman