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Then my first film was something called Cannibal Girls, which sounds like a horror movie but was actually kind of a goofy comedy with horror elements. Like a horror spoof.

Ivan Reitman

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Ivan Reitman
Age: 72
Born: 1952
Born: October 27
Film Actor
Film Director
Film Producer
Screenwriter
Theatrical Director
Komarno
Film
Girls
Firsts
Elements
First
Comedy
Kind
Movie
Spoof
Something
Called
Cannibal
Like
Actually
Goofy
Sound
Sounds
Girl
Horror

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I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another. It's not that they all get along, or that there aren't bad people or people we make fun of. But at the core, there's a kind of sweetness.
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It's sort of the most important thing for acting, is to listen to the person you're dealing with.
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I don't think there will be another Ghostbusters. I think we're all too old to do it. I think we've done it a couple times and there is not that much to get out of it, to do that would be fresh in it.
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Also watching a movie on DVD is different than watching it in the theater.
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I'm not sure I agree with the thesis, because I think that even though something grotesque or gross has been part of film since way back, what we accept or what we can get away with on the screen is broader now.
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In a comedy it helps enhance things that were already there.
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Movies either work or they don't work and they're either funny or they're not and we work very hard. To achieve that kind of work is really kind of delicate stitching.
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I've always been a fan of science fiction films, and I've never been able to put my particular spin on it.
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My sense is, I think it's okay for directors to do movies that speak to other work in their career.
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I love horror and sci-fi.
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I call it like the domino theory of reality. If you can go one step at a time and it seems to make sense, you can then take your audience into an area that is relatively outlandish.
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Comedy is a very delicate business, especially comedies that sort of attempt to do things in an honest way and in a very naturalistic way the way that 'No Strings Attached' is.
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I always thought that Bill Murray was one of the great actors that I've worked with. And I've worked with all kinds of people who are known primarily for their dramatic work.
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I think if people want to see pure sex in the movie, they have the Internet and the extraordinary things are available.
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The home viewing experience is slightly different and there's room for these kinds of extra excursions.
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I remember when first, Stripes, and then Animal House came out - which I was really proud of, even though it was kind of loose and quite raucous - there were imitative movies that were not quite as good.
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I believe that improvisation is really just a directorial tool. It's a writing tool. It's not so much that the actors get to say whatever they want, whatever pops into their head. It's an opportunity to write the last draft of the screenplay as you're working on it.
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I don't think my sense of humor has changed at all I was born with this, for better or for worse.
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The real trick for me as a director is to make sure that people don't start pushing because the harder you push as a perform the less funny it becomes.
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A good actor is someone who knows how to take the part and make it real and make it honest and be effective in it. If it's in a funny movie and, as long as they are cast in an appropriate way, humor will come from it.
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