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Same thing with harmonies. If you hear something that harmonically is interesting, express it. So that's what I'm saying about talking the music rather than just playing through.

Itzhak Perlman

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Itzhak Perlman
Age: 79
Born: 1945
Born: August 31
Conductor
Professor
Violinist
Yafo
Interesting
Harmonically
Rather
Harmonies
Music
Express
Thing
Harmony
Something
Playing
Saying
Hear
Talking

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One must always practice slowly. If you learn something slowly, you forget it slowly.
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You decide to be a musician, you have to put in the time.
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Sometimes it is the artist's task to find out how much music you can still make with what you have left.
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I don't walk on stage unless I'm playing with a orchestra. But when I play a recital, I'm sort of on a scooter, and I just scoot very quickly on stage, and they're saying, wow, look at this. He's so fast.
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The Violin of my dreams. If you wanna play a pianissimo that is almost inaudible and yet it carries through a hall that seats 3,000 people, there's your Strad.
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Sometimes you get from the mouth of kids wonderful things.
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If you play something well, I don't care what it is. I mean, I don't play an electric [violin] - I tried. It's actually interesting.
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For people who are really talented, what you don't say becomes extremely important. You have to judge what to say and what to leave alone so you can let the talent develop.
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There is nothing like a fine Italian sound.
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Life is not as easy as it could be for a person with a disability.
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This machine, the wheelchair, I can go all over the place, but you need a place without stairs to get in.
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Believe me, I've had interviews where the person says, So when did you start and why? What about your parents? I say to them, Please, have you heard of the word Google?
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I'm just a one-instrument player. I have been known to play a blender, but I basically play - just play the violin.
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I don't feel that the conductor has real power. The orchestra has the power, and every member of it knows instantaneously if you're just beating time.
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The thing is that what you try to do when you play is you try to play not below a certain level. In other words, it can be a special day where it would be phenomenal, but if it's not below a certain level, that's the goal. You know, that's what you want to do. That's why you practice and so on.
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I'm now doing three things: concerts, conducting, and teaching, and they each support each other. I learn to see things from different perspectives and listen with different ears. The most important thing that you need to do is really listen.
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For every child prodigy that you know about, at least 50 potential ones have burned out before you even heard about them.
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A Century of Wisdom is universal and will enrich readers for generations to come.
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I love to work with young kids.
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Everybody has a different kind of talent and a different timetable as to when they develop.
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