Quote

I always say separate your abilities from your disabilities. You know, if I could play the violin, I don't have to play it standing up. I can play it sitting down and so on.

Itzhak Perlman

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Itzhak Perlman
Age: 79
Born: 1945
Born: August 31
Conductor
Professor
Violinist
Yafo
Separate
Standing
Sitting
Ability
Play
Disabilities
Always
Violin
Disability
Abilities

More quotes by Itzhak Perlman

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I couldn't only do one thing--I don't want the personal hell of oneness.
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Preparing for a future in music is an expensive proposition.
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Just imagine yourself in a wheelchair. Go through the building. If there's a place you can't go in, it's not accessible.
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One of the great challenges is to know when things are not right.
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For every child prodigy that you know about, at least 50 potential ones have burned out before you even heard about them.
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..I heard Ori Kam and was deeply impressed with his achievements as a violist. His technical and interpretive skills are truly unique. I see a great future for him.
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You decide to be a musician, you have to put in the time.
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The most important thing to do is really listen.
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I can actually see the sound in my head. I can actually see it... But each sound is different so this one has that sparkle, there is a sparkle to the sound.
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I don't walk on stage unless I'm playing with a orchestra. But when I play a recital, I'm sort of on a scooter, and I just scoot very quickly on stage, and they're saying, wow, look at this. He's so fast.
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Child prodigy is a curse because you've got all those terrible possibilities.
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Everybody has a different kind of talent and a different timetable as to when they develop.
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The Violin of my dreams. If you wanna play a pianissimo that is almost inaudible and yet it carries through a hall that seats 3,000 people, there's your Strad.
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I'm now doing three things: concerts, conducting, and teaching, and they each support each other. I learn to see things from different perspectives and listen with different ears. The most important thing that you need to do is really listen.
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Sometimes you get from the mouth of kids wonderful things.
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When you play a concerto with a small orchestra, you don't feel it is as important as Carnegie Hall. You try to work out all the little problems. Once that's all done, trust comes in.
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Believe me, I've had interviews where the person says, So when did you start and why? What about your parents? I say to them, Please, have you heard of the word Google?
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I'm just a one-instrument player. I have been known to play a blender, but I basically play - just play the violin.
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Perhaps our task in this shaky, fast-changing, bewildering world in which we live is to make music, at first with all that we have, and then, when that is no longer possible, to make music with what we have left.
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A Century of Wisdom is universal and will enrich readers for generations to come.
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