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I couldn't only do one thing--I don't want the personal hell of oneness.

Itzhak Perlman

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Itzhak Perlman
Age: 79
Born: 1945
Born: August 31
Conductor
Professor
Violinist
Yafo
Oneness
Couldn
Personal
Hell
Thing

More quotes by Itzhak Perlman

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One of the great challenges is to know when things are not right.
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The most important thing to do is really listen.
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I feel that you always pay when you are a child.
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Preparing for a future in music is an expensive proposition.
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This machine, the wheelchair, I can go all over the place, but you need a place without stairs to get in.
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I listen to kids play a lot.
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I'm just a one-instrument player. I have been known to play a blender, but I basically play - just play the violin.
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Life is not as easy as it could be for a person with a disability.
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Nothing is better for my playing than teaching because when you teach, you have to think and you have to listen what other people do. And then all of a sudden, you play yourself and then you say, my goodness, I don't need a teacher. I'm my own teacher. Then I can react to what I'm doing immediately. It really improves.
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Every person with a disability has a slightly different kind of disability. Not everybody has the same problems. Usually the wheelchairs are the wheelchairs. It's the same height and so on. It's a problem.
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You decide to be a musician, you have to put in the time.
Itzhak Perlman
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Believe me, I've had interviews where the person says, So when did you start and why? What about your parents? I say to them, Please, have you heard of the word Google?
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Everybody has a different kind of talent and a different timetable as to when they develop.
Itzhak Perlman
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Child prodigy is a curse because you've got all those terrible possibilities.
Itzhak Perlman
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For every child prodigy that you know about, at least 50 potential ones have burned out before you even heard about them.
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Sometimes it is the artist's task to find out how much music you can still make with what you have left.
Itzhak Perlman
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The thing is that what you try to do when you play is you try to play not below a certain level. In other words, it can be a special day where it would be phenomenal, but if it's not below a certain level, that's the goal. You know, that's what you want to do. That's why you practice and so on.
Itzhak Perlman
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When you play a concerto with a small orchestra, you don't feel it is as important as Carnegie Hall. You try to work out all the little problems. Once that's all done, trust comes in.
Itzhak Perlman
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I look at raising funds for The Perlman Music Program as a challenge and as a way to provide opportunities for people who care about the future of classical music.
Itzhak Perlman
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I do three things. I do teaching, I do conducting and I do playing. And each one of those sort of helps the other.
Itzhak Perlman