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Preparing for a future in music is an expensive proposition.

Itzhak Perlman

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Itzhak Perlman
Age: 79
Born: 1945
Born: August 31
Conductor
Professor
Violinist
Yafo
Propositions
Preparing
Expensive
Future
Music
Proposition

More quotes by Itzhak Perlman

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Everybody has a different kind of talent and a different timetable as to when they develop.
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Just imagine yourself in a wheelchair. Go through the building. If there's a place you can't go in, it's not accessible.
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If you play something well, I don't care what it is. I mean, I don't play an electric [violin] - I tried. It's actually interesting.
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Sometimes it is the artist's task to find out how much music you can still make with what you have left.
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I love to work with young kids.
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A Century of Wisdom is universal and will enrich readers for generations to come.
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One must always practice slowly. If you learn something slowly, you forget it slowly.
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Sometimes you get from the mouth of kids wonderful things.
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I don't feel that the conductor has real power. The orchestra has the power, and every member of it knows instantaneously if you're just beating time.
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I couldn't only do one thing--I don't want the personal hell of oneness.
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The most important thing to do is really listen.
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I'm now doing three things: concerts, conducting, and teaching, and they each support each other. I learn to see things from different perspectives and listen with different ears. The most important thing that you need to do is really listen.
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I can actually see the sound in my head. I can actually see it... But each sound is different so this one has that sparkle, there is a sparkle to the sound.
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Every person with a disability has a slightly different kind of disability. Not everybody has the same problems. Usually the wheelchairs are the wheelchairs. It's the same height and so on. It's a problem.
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For every child prodigy that you know about, at least 50 potential ones have burned out before you even heard about them.
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The thing is that what you try to do when you play is you try to play not below a certain level. In other words, it can be a special day where it would be phenomenal, but if it's not below a certain level, that's the goal. You know, that's what you want to do. That's why you practice and so on.
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I look at raising funds for The Perlman Music Program as a challenge and as a way to provide opportunities for people who care about the future of classical music.
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For people who are really talented, what you don't say becomes extremely important. You have to judge what to say and what to leave alone so you can let the talent develop.
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There is nothing like a fine Italian sound.
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I don't walk on stage unless I'm playing with a orchestra. But when I play a recital, I'm sort of on a scooter, and I just scoot very quickly on stage, and they're saying, wow, look at this. He's so fast.
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