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I feel that you always pay when you are a child.

Itzhak Perlman

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Itzhak Perlman
Age: 79
Born: 1945
Born: August 31
Conductor
Professor
Violinist
Yafo
Pay
Child
Feel
Feels
Children
Always

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The Violin of my dreams. If you wanna play a pianissimo that is almost inaudible and yet it carries through a hall that seats 3,000 people, there's your Strad.
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I do three things. I do teaching, I do conducting and I do playing. And each one of those sort of helps the other.
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There is nothing like a fine Italian sound.
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One of the great challenges is to know when things are not right.
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Life is not as easy as it could be for a person with a disability.
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Sometimes it is the artist's task to find out how much music you can still make with what you have left.
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I listen to kids play a lot.
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Just imagine yourself in a wheelchair. Go through the building. If there's a place you can't go in, it's not accessible.
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Child prodigy is a curse because you've got all those terrible possibilities.
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The most important thing to do is really listen.
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Every person with a disability has a slightly different kind of disability. Not everybody has the same problems. Usually the wheelchairs are the wheelchairs. It's the same height and so on. It's a problem.
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Preparing for a future in music is an expensive proposition.
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You decide to be a musician, you have to put in the time.
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..I heard Ori Kam and was deeply impressed with his achievements as a violist. His technical and interpretive skills are truly unique. I see a great future for him.
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Perhaps our task in this shaky, fast-changing, bewildering world in which we live is to make music, at first with all that we have, and then, when that is no longer possible, to make music with what we have left.
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For people who are really talented, what you don't say becomes extremely important. You have to judge what to say and what to leave alone so you can let the talent develop.
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When you play a concerto with a small orchestra, you don't feel it is as important as Carnegie Hall. You try to work out all the little problems. Once that's all done, trust comes in.
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One must always practice slowly. If you learn something slowly, you forget it slowly.
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I'm now doing three things: concerts, conducting, and teaching, and they each support each other. I learn to see things from different perspectives and listen with different ears. The most important thing that you need to do is really listen.
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I don't feel that the conductor has real power. The orchestra has the power, and every member of it knows instantaneously if you're just beating time.
Itzhak Perlman