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I don't feel that the conductor has real power. The orchestra has the power, and every member of it knows instantaneously if you're just beating time.

Itzhak Perlman

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Itzhak Perlman
Age: 79
Born: 1945
Born: August 31
Conductor
Professor
Violinist
Yafo
Time
Orchestra
Member
Members
Power
Feel
Feels
Instantaneously
Real
Conductor
Every
Beating

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Every person with a disability has a slightly different kind of disability. Not everybody has the same problems. Usually the wheelchairs are the wheelchairs. It's the same height and so on. It's a problem.
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The thing is that what you try to do when you play is you try to play not below a certain level. In other words, it can be a special day where it would be phenomenal, but if it's not below a certain level, that's the goal. You know, that's what you want to do. That's why you practice and so on.
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I can actually see the sound in my head. I can actually see it... But each sound is different so this one has that sparkle, there is a sparkle to the sound.
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Child prodigy is a curse because you've got all those terrible possibilities.
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One of the great challenges is to know when things are not right.
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Perhaps our task in this shaky, fast-changing, bewildering world in which we live is to make music, at first with all that we have, and then, when that is no longer possible, to make music with what we have left.
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I'm now doing three things: concerts, conducting, and teaching, and they each support each other. I learn to see things from different perspectives and listen with different ears. The most important thing that you need to do is really listen.
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I do three things. I do teaching, I do conducting and I do playing. And each one of those sort of helps the other.
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If you play something well, I don't care what it is. I mean, I don't play an electric [violin] - I tried. It's actually interesting.
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Just imagine yourself in a wheelchair. Go through the building. If there's a place you can't go in, it's not accessible.
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This machine, the wheelchair, I can go all over the place, but you need a place without stairs to get in.
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Everybody has a different kind of talent and a different timetable as to when they develop.
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I love to work with young kids.
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The Violin of my dreams. If you wanna play a pianissimo that is almost inaudible and yet it carries through a hall that seats 3,000 people, there's your Strad.
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One must always practice slowly. If you learn something slowly, you forget it slowly.
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There is nothing like a fine Italian sound.
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Sometimes you get from the mouth of kids wonderful things.
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A Century of Wisdom is universal and will enrich readers for generations to come.
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Believe me, I've had interviews where the person says, So when did you start and why? What about your parents? I say to them, Please, have you heard of the word Google?
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