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When you play a concerto with a small orchestra, you don't feel it is as important as Carnegie Hall. You try to work out all the little problems. Once that's all done, trust comes in.
Itzhak Perlman
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Itzhak Perlman
Age: 79
Born: 1945
Born: August 31
Conductor
Professor
Violinist
Yafo
Feel
Trust
Feels
Small
Comes
Concerto
Important
Problem
Carnegie
Trying
Littles
Hall
Work
Little
Orchestra
Play
Halls
Done
Problems
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Sometimes you get from the mouth of kids wonderful things.
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I don't feel that the conductor has real power. The orchestra has the power, and every member of it knows instantaneously if you're just beating time.
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I don't walk on stage unless I'm playing with a orchestra. But when I play a recital, I'm sort of on a scooter, and I just scoot very quickly on stage, and they're saying, wow, look at this. He's so fast.
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For people who are really talented, what you don't say becomes extremely important. You have to judge what to say and what to leave alone so you can let the talent develop.
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Perhaps our task in this shaky, fast-changing, bewildering world in which we live is to make music, at first with all that we have, and then, when that is no longer possible, to make music with what we have left.
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I feel that you always pay when you are a child.
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One must always practice slowly. If you learn something slowly, you forget it slowly.
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For every child prodigy that you know about, at least 50 potential ones have burned out before you even heard about them.
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I'm just a one-instrument player. I have been known to play a blender, but I basically play - just play the violin.
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I couldn't only do one thing--I don't want the personal hell of oneness.
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Sometimes it is the artist's task to find out how much music you can still make with what you have left.
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The Violin of my dreams. If you wanna play a pianissimo that is almost inaudible and yet it carries through a hall that seats 3,000 people, there's your Strad.
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You decide to be a musician, you have to put in the time.
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I'm now doing three things: concerts, conducting, and teaching, and they each support each other. I learn to see things from different perspectives and listen with different ears. The most important thing that you need to do is really listen.
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Every person with a disability has a slightly different kind of disability. Not everybody has the same problems. Usually the wheelchairs are the wheelchairs. It's the same height and so on. It's a problem.
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This machine, the wheelchair, I can go all over the place, but you need a place without stairs to get in.
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There is nothing like a fine Italian sound.
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