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For every child prodigy that you know about, at least 50 potential ones have burned out before you even heard about them.

Itzhak Perlman

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Itzhak Perlman
Age: 79
Born: 1945
Born: August 31
Conductor
Professor
Violinist
Yafo
Ones
Least
Heard
Child
Children
Prodigy
Even
Prodigies
Every
Burned
Potential

More quotes by Itzhak Perlman

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A Century of Wisdom is universal and will enrich readers for generations to come.
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Perhaps our task in this shaky, fast-changing, bewildering world in which we live is to make music, at first with all that we have, and then, when that is no longer possible, to make music with what we have left.
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I listen to kids play a lot.
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Life is not as easy as it could be for a person with a disability.
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The most important thing to do is really listen.
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Everybody has a different kind of talent and a different timetable as to when they develop.
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If you play something well, I don't care what it is. I mean, I don't play an electric [violin] - I tried. It's actually interesting.
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Same thing with harmonies. If you hear something that harmonically is interesting, express it. So that's what I'm saying about talking the music rather than just playing through.
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Child prodigy is a curse because you've got all those terrible possibilities.
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I'm just a one-instrument player. I have been known to play a blender, but I basically play - just play the violin.
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For people who are really talented, what you don't say becomes extremely important. You have to judge what to say and what to leave alone so you can let the talent develop.
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I don't walk on stage unless I'm playing with a orchestra. But when I play a recital, I'm sort of on a scooter, and I just scoot very quickly on stage, and they're saying, wow, look at this. He's so fast.
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I do three things. I do teaching, I do conducting and I do playing. And each one of those sort of helps the other.
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When you play a concerto with a small orchestra, you don't feel it is as important as Carnegie Hall. You try to work out all the little problems. Once that's all done, trust comes in.
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The Violin of my dreams. If you wanna play a pianissimo that is almost inaudible and yet it carries through a hall that seats 3,000 people, there's your Strad.
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Just imagine yourself in a wheelchair. Go through the building. If there's a place you can't go in, it's not accessible.
Itzhak Perlman
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I love to work with young kids.
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..I heard Ori Kam and was deeply impressed with his achievements as a violist. His technical and interpretive skills are truly unique. I see a great future for him.
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Sometimes it is the artist's task to find out how much music you can still make with what you have left.
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I can actually see the sound in my head. I can actually see it... But each sound is different so this one has that sparkle, there is a sparkle to the sound.
Itzhak Perlman