Quote

Sometimes it is the artist's task to find out how much music you can still make with what you have left.

Itzhak Perlman

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Itzhak Perlman
Age: 79
Born: 1945
Born: August 31
Conductor
Professor
Violinist
Yafo
Much
Tasks
Make
Artist
Left
Stills
Still
Music
Find
Sometimes
Task

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The most important thing to do is really listen.
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Sometimes you get from the mouth of kids wonderful things.
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I don't walk on stage unless I'm playing with a orchestra. But when I play a recital, I'm sort of on a scooter, and I just scoot very quickly on stage, and they're saying, wow, look at this. He's so fast.
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One of the great challenges is to know when things are not right.
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I'm now doing three things: concerts, conducting, and teaching, and they each support each other. I learn to see things from different perspectives and listen with different ears. The most important thing that you need to do is really listen.
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When you play a concerto with a small orchestra, you don't feel it is as important as Carnegie Hall. You try to work out all the little problems. Once that's all done, trust comes in.
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Perhaps our task in this shaky, fast-changing, bewildering world in which we live is to make music, at first with all that we have, and then, when that is no longer possible, to make music with what we have left.
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Nothing is better for my playing than teaching because when you teach, you have to think and you have to listen what other people do. And then all of a sudden, you play yourself and then you say, my goodness, I don't need a teacher. I'm my own teacher. Then I can react to what I'm doing immediately. It really improves.
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I do three things. I do teaching, I do conducting and I do playing. And each one of those sort of helps the other.
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Just imagine yourself in a wheelchair. Go through the building. If there's a place you can't go in, it's not accessible.
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I'm just a one-instrument player. I have been known to play a blender, but I basically play - just play the violin.
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One must always practice slowly. If you learn something slowly, you forget it slowly.
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I feel that you always pay when you are a child.
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Preparing for a future in music is an expensive proposition.
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I love to work with young kids.
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Life is not as easy as it could be for a person with a disability.
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For every child prodigy that you know about, at least 50 potential ones have burned out before you even heard about them.
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I don't feel that the conductor has real power. The orchestra has the power, and every member of it knows instantaneously if you're just beating time.
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If you play something well, I don't care what it is. I mean, I don't play an electric [violin] - I tried. It's actually interesting.
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