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I was raised and I was going to school in the suburbs of Paris. And so we, I didn't really go to the riots, to the barricade. I was too young, actually. Rather young.

Isabelle Huppert

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Isabelle Huppert
Age: 71
Born: 1953
Born: March 16
Film Actor
Film Actress
Film Producer
Stage Actor
Isabelle Anne Madeleine Huppert
Raised
Actually
Rather
Barricade
Didn
Barricades
School
Riots
Young
Suburbs
Going
Riot
Really
Paris

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But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.
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The choosing of a role is so difficult for me. That's the real challenge: to choose the role, not to do the role. Once you've chosen them, the process is much easier.
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For me, making films is like being on vacation, it's a nice walk. But theatre is like mountaineering. You never know whether you're going to fall off or make it to the top.
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You don't want to cry over yourself, you don't want to have compassion about yourself. It's not the right place.
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But on the whole, nothing requires unbearable energy for me, it's just a normal thing.
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I never wondered whether I should be a stage actress or a movie actress.
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Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture.
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I like to take these unusual characters and then make them as normal as possible, because we all know that the tragedy and the abnormal always hides itself behind the normal.
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I don't know if you ever say to yourself that you want to be an actress. It eventually becomes a social function - you are an actress and you make a living out of it, but at the beginning it's more a matter of how to survive, or how to exist in a certain way.
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Perhaps Europeans are a bit more skeptic whereas Americans are more believers.
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Acting is a way of living out one's insanity.
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It was sometimes 60 degrees [Celsius], but it's very strange, cinema makes you forget reality most of the time. You are more concerned about your inner feelings, or your work.
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When you come to do the film, it is not the time to wonder why you do it. It's just how to do it
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Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.
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Some roles are easier to choose, some roles are more difficult because they are more daring. Sometimes you have to dare.
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Sometimes, an actress maybe knows how to think.
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One job is to be an actor, the other job is to be a spectator.
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If on paper one would say, You're gonna spend three weeks in Death Valley, you say, No, I'm not going to be able to. Very often, very quickly you forget about it.
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A script is a very rough material in a way. Whatever questions you might have regarding the script, you might find the beginning of the answers in the book.
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Like all school students, I think I did a play in my school. The common things, I would say. Nothing really exceptional.
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