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I was raised and I was going to school in the suburbs of Paris. And so we, I didn't really go to the riots, to the barricade. I was too young, actually. Rather young.

Isabelle Huppert

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Isabelle Huppert
Age: 71
Born: 1953
Born: March 16
Film Actor
Film Actress
Film Producer
Stage Actor
Isabelle Anne Madeleine Huppert
Raised
Actually
Rather
Barricade
Didn
Barricades
School
Riots
Suburbs
Young
Riot
Going
Paris
Really

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Sometimes maybe children also fulfill their parents' secrets desire.
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To be here and now, in principle, is just for once. And then you have to repeat that.
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Like all school students, I think I did a play in my school. The common things, I would say. Nothing really exceptional.
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A script is a very rough material in a way. Whatever questions you might have regarding the script, you might find the beginning of the answers in the book.
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You don't want to cry over yourself, you don't want to have compassion about yourself. It's not the right place.
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To me acting and doing movies is really strongly about the present time. It's all about when you do it. It's to create this feeling of extreme awareness and concentration. Because it doesn't happen without an extreme concentration, when you are completely immersed and focused on that.
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I've done many, many French movies and many, many English movies. I think it frees something when you don't talk in your mother language, but I also think you withdraw something as well. I'm a French actress, and sometimes I speak in English-speaking roles. For me, being an actress was always being a traveler. It goes together.
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I know some real intellectual people who might laugh, very close friends who might laugh when I'm said to be an intellectual.
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I don't think I'm that intellectual.
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But someone like Claude Chabrol tries to make a connection between the society in which we live and the social reasons which make monsters out of some people
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Acting is a way of living out one's insanity.
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But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.
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Once you have made the decision to do the film, once you have identified the desire and all the deep and personal, intimate, artistic reasons why you want to do the film, then it's more a matter of how to do things
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Of course you have to create the conditions of a certain belief. And maybe ignoring something that you don't want to see, at least for the time of the shooting.
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Sometimes, an actress maybe knows how to think.
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Well, my mother, she made me apply for a school where I was supposed to learn how to type. She said, well, instead of going to demonstrate she should at least [learn], because, everything was on strike. So we had to learn something in the meantime.
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I like to take these unusual characters and then make them as normal as possible, because we all know that the tragedy and the abnormal always hides itself behind the normal.
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The choosing of a role is so difficult for me. That's the real challenge: to choose the role, not to do the role. Once you've chosen them, the process is much easier.
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If on paper one would say, You're gonna spend three weeks in Death Valley, you say, No, I'm not going to be able to. Very often, very quickly you forget about it.
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