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Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture.

Isabelle Huppert

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Isabelle Huppert
Age: 71
Born: 1953
Born: March 16
Film Actor
Film Actress
Film Producer
Stage Actor
Isabelle Anne Madeleine Huppert
Makes
Relate
Change
Theatre
Give
Places
Giving
Bigger
Way
Huge
Firstly
Like
Space
Sculpture
Less
Volume
Voice
Smaller

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Like all school students, I think I did a play in my school. The common things, I would say. Nothing really exceptional.
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Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.
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You don't want to cry over yourself, you don't want to have compassion about yourself. It's not the right place.
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Some roles are easier to choose, some roles are more difficult because they are more daring. Sometimes you have to dare.
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I think being an actress is more how to cope with the fact that you can't do anything else than to express a talent. It's a way of being untalented for anything
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If on paper one would say, You're gonna spend three weeks in Death Valley, you say, No, I'm not going to be able to. Very often, very quickly you forget about it.
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I never had any barriers coming from my family. Just encouragement.
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Sometimes, an actress maybe knows how to think.
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I like to take these unusual characters and then make them as normal as possible, because we all know that the tragedy and the abnormal always hides itself behind the normal.
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I did a film very quickly, and then a lot of work for television, and then I did stage work.
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Well, my mother, she made me apply for a school where I was supposed to learn how to type. She said, well, instead of going to demonstrate she should at least [learn], because, everything was on strike. So we had to learn something in the meantime.
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The Greeks already understood that there was more interest in portraying an unusual character than a usual character - that is the purpose of films and theatre.
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It was sometimes 60 degrees [Celsius], but it's very strange, cinema makes you forget reality most of the time. You are more concerned about your inner feelings, or your work.
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I don't think I'm that intellectual.
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I've done many, many French movies and many, many English movies. I think it frees something when you don't talk in your mother language, but I also think you withdraw something as well. I'm a French actress, and sometimes I speak in English-speaking roles. For me, being an actress was always being a traveler. It goes together.
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The choosing of a role is so difficult for me. That's the real challenge: to choose the role, not to do the role. Once you've chosen them, the process is much easier.
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But on the whole, nothing requires unbearable energy for me, it's just a normal thing.
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I was raised and I was going to school in the suburbs of Paris. And so we, I didn't really go to the riots, to the barricade. I was too young, actually. Rather young.
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Once you have made the decision to do the film, once you have identified the desire and all the deep and personal, intimate, artistic reasons why you want to do the film, then it's more a matter of how to do things
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To be here and now, in principle, is just for once. And then you have to repeat that.
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