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I like to take these unusual characters and then make them as normal as possible, because we all know that the tragedy and the abnormal always hides itself behind the normal.

Isabelle Huppert

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Isabelle Huppert
Age: 71
Born: 1953
Born: March 16
Film Actor
Film Actress
Film Producer
Stage Actor
Isabelle Anne Madeleine Huppert
Take
Unusual
Make
Tragedy
Always
Characters
Like
Normal
Behinds
Behind
Possible
Hides
Character
Abnormal

More quotes by Isabelle Huppert

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Some roles are easier to choose, some roles are more difficult because they are more daring. Sometimes you have to dare.
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I don't know if you ever say to yourself that you want to be an actress. It eventually becomes a social function - you are an actress and you make a living out of it, but at the beginning it's more a matter of how to survive, or how to exist in a certain way.
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I've done many, many French movies and many, many English movies. I think it frees something when you don't talk in your mother language, but I also think you withdraw something as well. I'm a French actress, and sometimes I speak in English-speaking roles. For me, being an actress was always being a traveler. It goes together.
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For an actress there is no greater gift than having a camera in front of you, listening to the most beautiful music in the world and just being looked at!
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One job is to be an actor, the other job is to be a spectator.
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But someone like Claude Chabrol tries to make a connection between the society in which we live and the social reasons which make monsters out of some people
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Perhaps Europeans are a bit more skeptic whereas Americans are more believers.
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Well, my mother, she made me apply for a school where I was supposed to learn how to type. She said, well, instead of going to demonstrate she should at least [learn], because, everything was on strike. So we had to learn something in the meantime.
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I never wondered whether I should be a stage actress or a movie actress.
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It was sometimes 60 degrees [Celsius], but it's very strange, cinema makes you forget reality most of the time. You are more concerned about your inner feelings, or your work.
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A film is the reflection of the soul of its creator.
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Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture.
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Of course you have to create the conditions of a certain belief. And maybe ignoring something that you don't want to see, at least for the time of the shooting.
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For me, making films is like being on vacation, it's a nice walk. But theatre is like mountaineering. You never know whether you're going to fall off or make it to the top.
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But on the whole, nothing requires unbearable energy for me, it's just a normal thing.
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Once you have made the decision to do the film, once you have identified the desire and all the deep and personal, intimate, artistic reasons why you want to do the film, then it's more a matter of how to do things
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I did a film very quickly, and then a lot of work for television, and then I did stage work.
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The choosing of a role is so difficult for me. That's the real challenge: to choose the role, not to do the role. Once you've chosen them, the process is much easier.
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But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.
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A script is a very rough material in a way. Whatever questions you might have regarding the script, you might find the beginning of the answers in the book.
Isabelle Huppert