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But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.

Isabelle Huppert

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Isabelle Huppert
Age: 71
Born: 1953
Born: March 16
Film Actor
Film Actress
Film Producer
Stage Actor
Isabelle Anne Madeleine Huppert
Also
Studying
Soul
Technical
Music
Piano
Really
Towards
Way
Approach
Wasn
Schubert
Study
Bach
Film
Approaching

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Like all school students, I think I did a play in my school. The common things, I would say. Nothing really exceptional.
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Of course you have to create the conditions of a certain belief. And maybe ignoring something that you don't want to see, at least for the time of the shooting.
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To be here and now, in principle, is just for once. And then you have to repeat that.
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The choosing of a role is so difficult for me. That's the real challenge: to choose the role, not to do the role. Once you've chosen them, the process is much easier.
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A film is the reflection of the soul of its creator.
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I never wondered whether I should be a stage actress or a movie actress.
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Sometimes maybe children also fulfill their parents' secrets desire.
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I did a film very quickly, and then a lot of work for television, and then I did stage work.
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If on paper one would say, You're gonna spend three weeks in Death Valley, you say, No, I'm not going to be able to. Very often, very quickly you forget about it.
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Perhaps Europeans are a bit more skeptic whereas Americans are more believers.
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I don't think I'm that intellectual.
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Sometimes, an actress maybe knows how to think.
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Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture.
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But someone like Claude Chabrol tries to make a connection between the society in which we live and the social reasons which make monsters out of some people
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Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.
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I've done many, many French movies and many, many English movies. I think it frees something when you don't talk in your mother language, but I also think you withdraw something as well. I'm a French actress, and sometimes I speak in English-speaking roles. For me, being an actress was always being a traveler. It goes together.
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Well, my mother, she made me apply for a school where I was supposed to learn how to type. She said, well, instead of going to demonstrate she should at least [learn], because, everything was on strike. So we had to learn something in the meantime.
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I know some real intellectual people who might laugh, very close friends who might laugh when I'm said to be an intellectual.
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When you come to do the film, it is not the time to wonder why you do it. It's just how to do it
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For me, making films is like being on vacation, it's a nice walk. But theatre is like mountaineering. You never know whether you're going to fall off or make it to the top.
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