Quote

Bruce, you’re an ugly and silly old man. You’re very possibly an alcoholic and God knows what else. You’re the type of sad case who preys on vulnerable, weak and stupid women in order to boost his own shattered ego. You’re a mess. You’ve gone wrong somewhere pal.

Irvine Welsh

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Irvine Welsh
Age: 66
Born: 1958
Born: September 27
Author
Film Actor
Novelist
Playwright
Prosaist
Science Fiction Writer
Screenwriter
Writer
Men
Type
Possibly
Pals
Cases
Vulnerable
Alcoholic
Stupid
Mess
Bruce
Gone
Silly
Boost
Wrong
Ugly
Alcoholics
Else
Somewhere
Shattered
Order
Case
Prey
Women
Weak
Ego
Preys

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Once you've been with each other in a primal, shagging state, it's hard to talk about the weather.
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When I first started to get into writing, it was via music. I'd generate ideas for songs that would turn into stories, then they'd turn into novels. I was biased toward music.
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I didn't have any concept of Trainspotting being published. It was a selfish act. I did it for myself.
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Ah wonder if anybody this side of the Atlantic has ever bought a baseball bat with playing baseball in mind.
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It's crazy for somebody who's kind of empowered and wealthy like myself to say, Oh, I don't need to be patronized by the state, I can make my own choices. But I've got things to look forward to, and places to go and if that'd been me there forty years ago, when I was a young kid in Muirhouse, it might've been a different story.
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I think of the women I know, and very few of them are obsessed with shopping, or with getting a guy - they want their own thing, they have their own network going on.
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When you're in your twenties, it's the last time you have the chance to experiment with multiple identities, to decide who you're going to be in life.
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It's hard to maintain both smack and crack habbits and remember to keep up mobile-phone payments.
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I'd always done a lot of sniffing glue as a kid. I was very interested in glue, and then I went to lager and speed, and I drifted into heroin because as a kid growing up everybody told me, 'don't smoke marijuana, it will kill you'.
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I'm working on a screenplay right now for the BBC, but I hope to have the decks cleared soon so I can get into the studio with my pals and put down some more tracks, try to get a strong dance single together.
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The dead man is on the trolley and the woman collapses across his chest. That's what the ghouls want a shufti at, like at that Princess Diana's funeral, they want to scrutinise those who really knew her, to drink the misery out of their faces.
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I think just getting up and getting to the desk is a big thing. If you can do that, you're in the zone because there're so many distractions that can stop you. From my bedroom to my office isn't really that far, but I have to go via the kitchen and there's so many things that can stop me and interrupt me.
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His eyes are wild, psychotic slits that bat-dance in your soul looking for good things to crush or bad elements to identify with.
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Sometimes ah think that people become junkies just because they subconsciously crave a wee bit ay silence.
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I tend to read more nonfiction, really, because when I'm writing I don't like to read other fiction.
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I think [Ecstasy] was a really good stab. It wasn't my strongest book or my strongest material, but they wanted to make a kinda rave culture movie.
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It's only now that I realize that behaviour always has a context and precedents, it's what you do rather than what you are, although we often never recognise that context or understand what these precedents are.
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The celebration of death is not a good thing. Fetishizing death isn't a good thing. You should be celebrating life and enjoying it and all that.
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The books that are really valuable are the books that evoke a sense of place.
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