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It's only now that I realize that behaviour always has a context and precedents, it's what you do rather than what you are, although we often never recognise that context or understand what these precedents are.
Irvine Welsh
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Irvine Welsh
Age: 66
Born: 1958
Born: September 27
Author
Film Actor
Novelist
Playwright
Prosaist
Science Fiction Writer
Screenwriter
Writer
Often
Recognise
Always
Behaviour
Never
Context
Although
Realize
Realizing
Rather
Precedents
Understand
Precedent
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Once you've been with each other in a primal, shagging state, it's hard to talk about the weather.
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If you have no drugs, then you have revolution, and then drugs will be the only thing stopping that.
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When you're in your twenties, it's the last time you have the chance to experiment with multiple identities, to decide who you're going to be in life.
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The establishment, the newspapers, they try to create something called Scottish literature, but when people are actually going to write, they are not going to necessarily prescribe to that, they'll write what they feel.
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I think of the women I know, and very few of them are obsessed with shopping, or with getting a guy - they want their own thing, they have their own network going on.
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Thir must be less tae life than this
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It's all been quite a revitalizing process for me, being out there in the States. It wouldn't have happened without Trainspotting.
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His eyes are wild, psychotic slits that bat-dance in your soul looking for good things to crush or bad elements to identify with.
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Iggy Pop looks right at me as he sings the line: 'America takes drugs in psychic defence' only he changes 'America' to 'Scatlin', and defines us mair accurately in a single sentence than all the others have ever done.
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It's different in Scotland. People who come to readings are more interested in literature as such, but the readership in general is really quite diverse. It's a cliche, but it's said that people who read my books don't read any other books, and you do get that element.
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Now, for the first time, he's seeing that there really is a way out of this, and it's all so simple. You don't have to run away. You just meet somebody special and step sideways into a parallel universe.
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It's crazy for somebody who's kind of empowered and wealthy like myself to say, Oh, I don't need to be patronized by the state, I can make my own choices. But I've got things to look forward to, and places to go and if that'd been me there forty years ago, when I was a young kid in Muirhouse, it might've been a different story.
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Nothing is covered adequately by the BBC. The BBC has become the biggest disappointment - they're just so terrified. And in a way it's not their fault: the parties have used them as a political football.
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I think [Ecstasy] was a really good stab. It wasn't my strongest book or my strongest material, but they wanted to make a kinda rave culture movie.
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I'm not running away, I'm moving on.
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Sometimes ah think that people become junkies just because they subconsciously crave a wee bit ay silence.
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When I started off with Trainspotting, it was the way the characters came to me. That's how they sounded to me. It seemed pretentious to sound any other way. I wasn't making any kind of political statement.
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In the cross-over, you get to a point where you realize that you've got all this genetic inheritance, and you've got all this social conditioning, but there is a point where you do have to make a choice, and that's the optimist in me: you have the freedom to make a choice about how you are going to be, and what you're going to do.
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Everything in the street today seems soft focus.
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I'm working on a screenplay right now for the BBC, but I hope to have the decks cleared soon so I can get into the studio with my pals and put down some more tracks, try to get a strong dance single together.
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