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I know, of course, that by using film we can bring in other previously unknown worlds, realities beyond reality.

Ingmar Bergman

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Ingmar Bergman
Age: 89 †
Born: 1918
Born: July 14
Died: 2007
Died: July 30
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Ernst Ingmar Bergman
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More quotes by Ingmar Bergman

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My basic view of things is - not to have any basic view of things. From having been exceedingly dogmatic, my views on life have gradually dissolved. They don't exist any longer.
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I am living permanently in my dream, from which I make brief forays into reality.
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People ask what are my intentions with my films - my aims. It is a difficult and dangerous question, and I usually give an evasive answer.
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This damned ranting about doom. Is that food for the minds of modern people? Do they really expect us to take them seriously?
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We worked on 'Fanny and Alexander' for seven months and it was an amusing production. Still, it was very long and heavy and so awfully complicated, .. And when the premiere was over and everything went well, I thought, 'That's that.' .
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It's a strange thing that every human being has a sort of dignity or wholeness in him, and out of that develops relationships to other human beings, tensions, misunderstandings, tenderness, coming in contact, touching and being touched, the cutting off of a contact and what happens then.
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Art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life, generating and degenerating itself. In former days the artist remained unknown and his work was to the glory of God.
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I think I have made just one picture that I really like.
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Death: Do you never stop questioning? Antonius Block: No. I never stop.
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When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings.
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I am conscious about myself and everything, and then suddenly, or slowly, my conscious fades out. Switches off. And it's not existing, and that's a marvelous feeling. That from existing, I am not existing. And at that moment, nothing can happen to me.
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There are moments when I can wander through my childhood's landscape, through rooms long ago, remember how they were furnished, where the pictures hung on the walls, the way the light fell. It's like a film - little scraps of a film, which I set running and which I can reconstruct to the last detail - except their smell.
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First, I write down all I know about the story, at length and in detail. Then I sink the iceberg and let some of it float up just a little.
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One has to manage alone as best one can. (Karin Bergman)
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I have always had the ability to attach my demons to my chariot.
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I write scripts to serve as skeletons awaiting the flesh and sinew of images.
Ingmar Bergman
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Self-portraiture is something one should never get involved in, since it is wrong to lie even though one endeavours to tell the truth.
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To shoot a film is to organize an entire universe.
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I am very much aware of my own double self... The well-known one is very under control everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child.
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A film causes me so many worries and such a lot of reactions that I have to love it in order to get over it and past it.
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