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This damned ranting about doom. Is that food for the minds of modern people? Do they really expect us to take them seriously?

Ingmar Bergman

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Ingmar Bergman
Age: 89 †
Born: 1918
Born: July 14
Died: 2007
Died: July 30
Actor
Author
Autobiographer
Director
Film Director
Film Producer
Filmmaker
Playwright
Screenwriter
Theatrical Director
Writer
Upsala
Ernst Ingmar Bergman
Mind
Damned
Really
Doom
People
Seriously
Minds
Expect
Food
Modern
Take
Ranting

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Occasionally I sense an insane wail deep down in the pit, the echo alone reaching me, striking without warning, a child weeping uninhibitedly, imprisoned forever.
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I have a lot of tics and phobias. I hate to travel. I hate to go to festivals. I hate it when somebody gets close behind me. I'm scared of the darkness. I hate open doors.
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I write scripts to serve as skeletons awaiting the flesh and sinew of images.
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To feel. To trust the feeling. I long for that
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Only someone who is well prepared has the opportunity to improvise.
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The individualists stare into each other's eyes and yet deny the existence of each other.
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I want to stop. I want to stay on Fårö, and read the books I haven’t read, find out things I haven’t yet found out. I want to write things I haven’t written. To listen to music, and talk to my neighbors. To live together with my wife a very calm, very secure, very lazy existence, for the rest of my life.
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First, I write down all I know about the story, at length and in detail. Then I sink the iceberg and let some of it float up just a little.
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The film medium is some sort of magic. I think also it's a magic that every frame comes and stands still for a fraction of a second and then it darkens. A half part of the time when you see a picture you sit in complete darkness. Isn't that fascinating? That is magic.
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To shoot a film is to organize an entire universe.
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I know, of course, that by using film we can bring in other previously unknown worlds, realities beyond reality.
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The demons are innumerable, arrive at the most inappropriate times and create panic and terror. But I have learned that if I can master the negative forces and harness them to my chariot, then they can work to my advantage. Lilies often grow out of carcasses' arseholes.
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Today we say all art is political. But I'd say all art has to do with ethics. Which after all really comes to the same thing. It's a matter of attitudes.
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We make each other alive it doesn’t make a difference if it hurts.
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I am living permanently in my dream, from which I make brief forays into reality.
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There are moments when I can wander through my childhood's landscape, through rooms long ago, remember how they were furnished, where the pictures hung on the walls, the way the light fell. It's like a film - little scraps of a film, which I set running and which I can reconstruct to the last detail - except their smell.
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For me, in those days, the great question was: Does God exist? Or doesn't God exist? Can we, by an attitude of faith, attain to a sense of community and a better world? Or, if God doesn't exist, what do we do then? What does our world look like then? In none of this was there the least political colour.
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We worked on 'Fanny and Alexander' for seven months and it was an amusing production. Still, it was very long and heavy and so awfully complicated, .. And when the premiere was over and everything went well, I thought, 'That's that.' .
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I think I have made just one picture that I really like.
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I feel very strongly that I’m surrounded by other realities.
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