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There are moments when I can wander through my childhood's landscape, through rooms long ago, remember how they were furnished, where the pictures hung on the walls, the way the light fell. It's like a film - little scraps of a film, which I set running and which I can reconstruct to the last detail - except their smell.

Ingmar Bergman

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Ingmar Bergman
Age: 89 †
Born: 1918
Born: July 14
Died: 2007
Died: July 30
Actor
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Autobiographer
Director
Film Director
Film Producer
Filmmaker
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Upsala
Ernst Ingmar Bergman
Way
Running
Details
Scrap
Like
Moments
Smell
Detail
Film
Childhood
Hung
Light
Except
Walls
Remember
Wall
Wander
Littles
Rooms
Fell
Reconstruct
Little
Lasts
Landscape
Scraps
Long
Last
Pictures
Furnished

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It's a strange thing that every human being has a sort of dignity or wholeness in him, and out of that develops relationships to other human beings, tensions, misunderstandings, tenderness, coming in contact, touching and being touched, the cutting off of a contact and what happens then.
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I am conscious about myself and everything, and then suddenly, or slowly, my conscious fades out. Switches off. And it's not existing, and that's a marvelous feeling. That from existing, I am not existing. And at that moment, nothing can happen to me.
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For me, in those days, the great question was: Does God exist? Or doesn't God exist? Can we, by an attitude of faith, attain to a sense of community and a better world? Or, if God doesn't exist, what do we do then? What does our world look like then? In none of this was there the least political colour.
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We make each other alive it doesn’t make a difference if it hurts.
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I know, of course, that by using film we can bring in other previously unknown worlds, realities beyond reality.
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Only someone who is well prepared has the opportunity to improvise.
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When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings.
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This damned ranting about doom. Is that food for the minds of modern people? Do they really expect us to take them seriously?
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Most of my conscious efforts have ended in embarrassing failure.
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Death: Do you never stop questioning? Antonius Block: No. I never stop.
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The demons are innumerable, arrive at the most inappropriate times and create panic and terror. But I have learned that if I can master the negative forces and harness them to my chariot, then they can work to my advantage. Lilies often grow out of carcasses' arseholes.
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Self-portraiture is something one should never get involved in, since it is wrong to lie even though one endeavours to tell the truth.
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The individualists stare into each other's eyes and yet deny the existence of each other.
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I have a lot of tics and phobias. I hate to travel. I hate to go to festivals. I hate it when somebody gets close behind me. I'm scared of the darkness. I hate open doors.
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First, I write down all I know about the story, at length and in detail. Then I sink the iceberg and let some of it float up just a little.
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I have always had the ability to attach my demons to my chariot.
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Perhaps we are the same person. Perhaps we have no limits perhaps we flow into each other, stream through each other, boundlessly and magnificently. You bear terrible thoughts it is almost painful to be near you. At the same time it is enticing. Do you know why?
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The film medium is some sort of magic. I think also it's a magic that every frame comes and stands still for a fraction of a second and then it darkens. A half part of the time when you see a picture you sit in complete darkness. Isn't that fascinating? That is magic.
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My discovery of Tarkovsky's first film was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had, until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease.
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A film causes me so many worries and such a lot of reactions that I have to love it in order to get over it and past it.
Ingmar Bergman