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I think I'm Swedish because I like to live here on this island. You can't imagine the loneliness and isolation in this country. In that way, I'm very Swedish - I don't dislike to be alone.

Ingmar Bergman

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Ingmar Bergman
Age: 89 †
Born: 1918
Born: July 14
Died: 2007
Died: July 30
Actor
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Director
Film Director
Film Producer
Filmmaker
Playwright
Screenwriter
Theatrical Director
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Ernst Ingmar Bergman
Thinking
Islands
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Loneliness
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Alone
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Swedish
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More quotes by Ingmar Bergman

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I want to stop. I want to stay on Fårö, and read the books I haven’t read, find out things I haven’t yet found out. I want to write things I haven’t written. To listen to music, and talk to my neighbors. To live together with my wife a very calm, very secure, very lazy existence, for the rest of my life.
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The demons are innumerable, arrive at the most inappropriate times and create panic and terror. But I have learned that if I can master the negative forces and harness them to my chariot, then they can work to my advantage. Lilies often grow out of carcasses' arseholes.
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One has to manage alone as best one can. (Karin Bergman)
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Here, in my solitude, I have the feeling that I contain too much humanity.
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For me, in those days, the great question was: Does God exist? Or doesn't God exist? Can we, by an attitude of faith, attain to a sense of community and a better world? Or, if God doesn't exist, what do we do then? What does our world look like then? In none of this was there the least political colour.
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Most of my conscious efforts have ended in embarrassing failure.
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I have always had the ability to attach my demons to my chariot.
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I write scripts to serve as skeletons awaiting the flesh and sinew of images.
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To humiliate and be humiliated, I think, is a crucial element in our whole social structure. It's not only the artist I'm sorry for. It's just that I know exactly where he feels most humiliated.
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When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings.
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The film medium is some sort of magic. I think also it's a magic that every frame comes and stands still for a fraction of a second and then it darkens. A half part of the time when you see a picture you sit in complete darkness. Isn't that fascinating? That is magic.
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The individualists stare into each other's eyes and yet deny the existence of each other.
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Perhaps we are the same person. Perhaps we have no limits perhaps we flow into each other, stream through each other, boundlessly and magnificently. You bear terrible thoughts it is almost painful to be near you. At the same time it is enticing. Do you know why?
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I am very much aware of my own double self... The well-known one is very under control everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child.
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I am living permanently in my dream, from which I make brief forays into reality.
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I am conscious about myself and everything, and then suddenly, or slowly, my conscious fades out. Switches off. And it's not existing, and that's a marvelous feeling. That from existing, I am not existing. And at that moment, nothing can happen to me.
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I think I have made just one picture that I really like.
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To shoot a film is to organize an entire universe.
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Occasionally I sense an insane wail deep down in the pit, the echo alone reaching me, striking without warning, a child weeping uninhibitedly, imprisoned forever.
Ingmar Bergman