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The individualists stare into each other's eyes and yet deny the existence of each other.

Ingmar Bergman

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Ingmar Bergman
Age: 89 †
Born: 1918
Born: July 14
Died: 2007
Died: July 30
Actor
Author
Autobiographer
Director
Film Director
Film Producer
Filmmaker
Playwright
Screenwriter
Theatrical Director
Writer
Upsala
Ernst Ingmar Bergman
Deny
Existence
Eyes
Eye
Individualists
Stare
Individuality
Staring

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One has to manage alone as best one can. (Karin Bergman)
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I feel very strongly that I’m surrounded by other realities.
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First, I write down all I know about the story, at length and in detail. Then I sink the iceberg and let some of it float up just a little.
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We worked on 'Fanny and Alexander' for seven months and it was an amusing production. Still, it was very long and heavy and so awfully complicated, .. And when the premiere was over and everything went well, I thought, 'That's that.' .
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Only someone who is well prepared has the opportunity to improvise.
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I'm planning, you see, to try to confine myself to the truth. That's hard for an old, inveterate fantasy martyr and liar who has never hesitated to give truth the form he felt the occasion demanded.
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Fellini, Kurosawa, and Bunuel move in the same field as Tarkovsky. Antonioni was on his way, but expired, suffocated by his own tediousness.
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I think I'm Swedish because I like to live here on this island. You can't imagine the loneliness and isolation in this country. In that way, I'm very Swedish - I don't dislike to be alone.
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A film causes me so many worries and such a lot of reactions that I have to love it in order to get over it and past it.
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I write scripts to serve as skeletons awaiting the flesh and sinew of images.
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To feel. To trust the feeling. I long for that
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Here, in my solitude, I have the feeling that I contain too much humanity.
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Occasionally I sense an insane wail deep down in the pit, the echo alone reaching me, striking without warning, a child weeping uninhibitedly, imprisoned forever.
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I know, of course, that by using film we can bring in other previously unknown worlds, realities beyond reality.
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This damned ranting about doom. Is that food for the minds of modern people? Do they really expect us to take them seriously?
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People ask what are my intentions with my films - my aims. It is a difficult and dangerous question, and I usually give an evasive answer.
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Most of my conscious efforts have ended in embarrassing failure.
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My basic view of things is - not to have any basic view of things. From having been exceedingly dogmatic, my views on life have gradually dissolved. They don't exist any longer.
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There are moments when I can wander through my childhood's landscape, through rooms long ago, remember how they were furnished, where the pictures hung on the walls, the way the light fell. It's like a film - little scraps of a film, which I set running and which I can reconstruct to the last detail - except their smell.
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It's a strange thing that every human being has a sort of dignity or wholeness in him, and out of that develops relationships to other human beings, tensions, misunderstandings, tenderness, coming in contact, touching and being touched, the cutting off of a contact and what happens then.
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