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I have a lot of tics and phobias. I hate to travel. I hate to go to festivals. I hate it when somebody gets close behind me. I'm scared of the darkness. I hate open doors.

Ingmar Bergman

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Ingmar Bergman
Age: 89 †
Born: 1918
Born: July 14
Died: 2007
Died: July 30
Actor
Author
Autobiographer
Director
Film Director
Film Producer
Filmmaker
Playwright
Screenwriter
Theatrical Director
Writer
Upsala
Ernst Ingmar Bergman
Behinds
Tics
Gets
Phobia
Behind
Festivals
Somebody
Scared
Open
Travel
Hate
Close
Darkness
Doors
Phobias

More quotes by Ingmar Bergman

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Death: Do you never stop questioning? Antonius Block: No. I never stop.
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To shoot a film is to organize an entire universe.
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Fellini, Kurosawa, and Bunuel move in the same field as Tarkovsky. Antonioni was on his way, but expired, suffocated by his own tediousness.
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The individualists stare into each other's eyes and yet deny the existence of each other.
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It's a strange thing that every human being has a sort of dignity or wholeness in him, and out of that develops relationships to other human beings, tensions, misunderstandings, tenderness, coming in contact, touching and being touched, the cutting off of a contact and what happens then.
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I am conscious about myself and everything, and then suddenly, or slowly, my conscious fades out. Switches off. And it's not existing, and that's a marvelous feeling. That from existing, I am not existing. And at that moment, nothing can happen to me.
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The film medium is some sort of magic. I think also it's a magic that every frame comes and stands still for a fraction of a second and then it darkens. A half part of the time when you see a picture you sit in complete darkness. Isn't that fascinating? That is magic.
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A film causes me so many worries and such a lot of reactions that I have to love it in order to get over it and past it.
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I am living permanently in my dream, from which I make brief forays into reality.
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There are moments when I can wander through my childhood's landscape, through rooms long ago, remember how they were furnished, where the pictures hung on the walls, the way the light fell. It's like a film - little scraps of a film, which I set running and which I can reconstruct to the last detail - except their smell.
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I'm planning, you see, to try to confine myself to the truth. That's hard for an old, inveterate fantasy martyr and liar who has never hesitated to give truth the form he felt the occasion demanded.
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Art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life, generating and degenerating itself. In former days the artist remained unknown and his work was to the glory of God.
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I have always had the ability to attach my demons to my chariot.
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My discovery of Tarkovsky's first film was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had, until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease.
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Occasionally I sense an insane wail deep down in the pit, the echo alone reaching me, striking without warning, a child weeping uninhibitedly, imprisoned forever.
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I think I have made just one picture that I really like.
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I don't watch my own films very often. I become so jittery and ready to cry... and miserable. I think it's awful.
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I know, of course, that by using film we can bring in other previously unknown worlds, realities beyond reality.
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When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings.
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One has to manage alone as best one can. (Karin Bergman)
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