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Here, in my solitude, I have the feeling that I contain too much humanity.

Ingmar Bergman

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Ingmar Bergman
Age: 89 †
Born: 1918
Born: July 14
Died: 2007
Died: July 30
Actor
Author
Autobiographer
Director
Film Director
Film Producer
Filmmaker
Playwright
Screenwriter
Theatrical Director
Writer
Upsala
Ernst Ingmar Bergman
Contain
Solitude
Humanity
Feeling
Feelings
Much

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I have always had the ability to attach my demons to my chariot.
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I have a lot of tics and phobias. I hate to travel. I hate to go to festivals. I hate it when somebody gets close behind me. I'm scared of the darkness. I hate open doors.
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First, I write down all I know about the story, at length and in detail. Then I sink the iceberg and let some of it float up just a little.
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There are moments when I can wander through my childhood's landscape, through rooms long ago, remember how they were furnished, where the pictures hung on the walls, the way the light fell. It's like a film - little scraps of a film, which I set running and which I can reconstruct to the last detail - except their smell.
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I'm planning, you see, to try to confine myself to the truth. That's hard for an old, inveterate fantasy martyr and liar who has never hesitated to give truth the form he felt the occasion demanded.
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We make each other alive it doesn’t make a difference if it hurts.
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I am living permanently in my dream, from which I make brief forays into reality.
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I think I have made just one picture that I really like.
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Death: Do you never stop questioning? Antonius Block: No. I never stop.
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Only someone who is well prepared has the opportunity to improvise.
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For me, in those days, the great question was: Does God exist? Or doesn't God exist? Can we, by an attitude of faith, attain to a sense of community and a better world? Or, if God doesn't exist, what do we do then? What does our world look like then? In none of this was there the least political colour.
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To humiliate and be humiliated, I think, is a crucial element in our whole social structure. It's not only the artist I'm sorry for. It's just that I know exactly where he feels most humiliated.
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This damned ranting about doom. Is that food for the minds of modern people? Do they really expect us to take them seriously?
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A film causes me so many worries and such a lot of reactions that I have to love it in order to get over it and past it.
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Fellini, Kurosawa, and Bunuel move in the same field as Tarkovsky. Antonioni was on his way, but expired, suffocated by his own tediousness.
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To shoot a film is to organize an entire universe.
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People ask what are my intentions with my films - my aims. It is a difficult and dangerous question, and I usually give an evasive answer.
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My discovery of Tarkovsky's first film was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had, until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease.
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The individualists stare into each other's eyes and yet deny the existence of each other.
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I am very much aware of my own double self... The well-known one is very under control everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child.
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