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The demons are innumerable, arrive at the most inappropriate times and create panic and terror. But I have learned that if I can master the negative forces and harness them to my chariot, then they can work to my advantage. Lilies often grow out of carcasses' arseholes.

Ingmar Bergman

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Ingmar Bergman
Age: 89 †
Born: 1918
Born: July 14
Died: 2007
Died: July 30
Actor
Author
Autobiographer
Director
Film Director
Film Producer
Filmmaker
Playwright
Screenwriter
Theatrical Director
Writer
Upsala
Ernst Ingmar Bergman
Create
Forces
Inappropriate
Grows
Terror
Corpses
Arseholes
Times
Master
Demons
Carcasses
Force
Masters
Negativity
Chariot
Often
Advantage
Arrive
Chariots
Work
Negative
Positivity
Innumerable
Grow
Panic
Lilies
Learned
Demon
Harness

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I know, of course, that by using film we can bring in other previously unknown worlds, realities beyond reality.
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The film medium is some sort of magic. I think also it's a magic that every frame comes and stands still for a fraction of a second and then it darkens. A half part of the time when you see a picture you sit in complete darkness. Isn't that fascinating? That is magic.
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I think I have made just one picture that I really like.
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Occasionally I sense an insane wail deep down in the pit, the echo alone reaching me, striking without warning, a child weeping uninhibitedly, imprisoned forever.
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I think I'm Swedish because I like to live here on this island. You can't imagine the loneliness and isolation in this country. In that way, I'm very Swedish - I don't dislike to be alone.
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I am conscious about myself and everything, and then suddenly, or slowly, my conscious fades out. Switches off. And it's not existing, and that's a marvelous feeling. That from existing, I am not existing. And at that moment, nothing can happen to me.
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A film causes me so many worries and such a lot of reactions that I have to love it in order to get over it and past it.
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Art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life, generating and degenerating itself. In former days the artist remained unknown and his work was to the glory of God.
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I want to stop. I want to stay on Fårö, and read the books I haven’t read, find out things I haven’t yet found out. I want to write things I haven’t written. To listen to music, and talk to my neighbors. To live together with my wife a very calm, very secure, very lazy existence, for the rest of my life.
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I am living permanently in my dream, from which I make brief forays into reality.
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I don't watch my own films very often. I become so jittery and ready to cry... and miserable. I think it's awful.
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I'm planning, you see, to try to confine myself to the truth. That's hard for an old, inveterate fantasy martyr and liar who has never hesitated to give truth the form he felt the occasion demanded.
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One has to manage alone as best one can. (Karin Bergman)
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The individualists stare into each other's eyes and yet deny the existence of each other.
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We make each other alive it doesn’t make a difference if it hurts.
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Death: Do you never stop questioning? Antonius Block: No. I never stop.
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I write scripts to serve as skeletons awaiting the flesh and sinew of images.
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To shoot a film is to organize an entire universe.
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My discovery of Tarkovsky's first film was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had, until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease.
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To feel. To trust the feeling. I long for that
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