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To humiliate and be humiliated, I think, is a crucial element in our whole social structure. It's not only the artist I'm sorry for. It's just that I know exactly where he feels most humiliated.

Ingmar Bergman

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Ingmar Bergman
Age: 89 †
Born: 1918
Born: July 14
Died: 2007
Died: July 30
Actor
Author
Autobiographer
Director
Film Director
Film Producer
Filmmaker
Playwright
Screenwriter
Theatrical Director
Writer
Upsala
Ernst Ingmar Bergman
Pride
Humiliated
Artist
Crucial
Social
Element
Whole
Humility
Feels
Sorry
Think
Structure
Thinking
Exactly
Elements
Humiliate

More quotes by Ingmar Bergman

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Most of my conscious efforts have ended in embarrassing failure.
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I know, of course, that by using film we can bring in other previously unknown worlds, realities beyond reality.
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The demons are innumerable, arrive at the most inappropriate times and create panic and terror. But I have learned that if I can master the negative forces and harness them to my chariot, then they can work to my advantage. Lilies often grow out of carcasses' arseholes.
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Only someone who is well prepared has the opportunity to improvise.
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To feel. To trust the feeling. I long for that
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Self-portraiture is something one should never get involved in, since it is wrong to lie even though one endeavours to tell the truth.
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When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings.
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It's a strange thing that every human being has a sort of dignity or wholeness in him, and out of that develops relationships to other human beings, tensions, misunderstandings, tenderness, coming in contact, touching and being touched, the cutting off of a contact and what happens then.
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Perhaps we are the same person. Perhaps we have no limits perhaps we flow into each other, stream through each other, boundlessly and magnificently. You bear terrible thoughts it is almost painful to be near you. At the same time it is enticing. Do you know why?
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I write scripts to serve as skeletons awaiting the flesh and sinew of images.
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I am conscious about myself and everything, and then suddenly, or slowly, my conscious fades out. Switches off. And it's not existing, and that's a marvelous feeling. That from existing, I am not existing. And at that moment, nothing can happen to me.
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I feel very strongly that I’m surrounded by other realities.
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This damned ranting about doom. Is that food for the minds of modern people? Do they really expect us to take them seriously?
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There are moments when I can wander through my childhood's landscape, through rooms long ago, remember how they were furnished, where the pictures hung on the walls, the way the light fell. It's like a film - little scraps of a film, which I set running and which I can reconstruct to the last detail - except their smell.
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We make each other alive it doesn’t make a difference if it hurts.
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I have always had the ability to attach my demons to my chariot.
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Today we say all art is political. But I'd say all art has to do with ethics. Which after all really comes to the same thing. It's a matter of attitudes.
Ingmar Bergman
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I think I'm Swedish because I like to live here on this island. You can't imagine the loneliness and isolation in this country. In that way, I'm very Swedish - I don't dislike to be alone.
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Fellini, Kurosawa, and Bunuel move in the same field as Tarkovsky. Antonioni was on his way, but expired, suffocated by his own tediousness.
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I want to stop. I want to stay on Fårö, and read the books I haven’t read, find out things I haven’t yet found out. I want to write things I haven’t written. To listen to music, and talk to my neighbors. To live together with my wife a very calm, very secure, very lazy existence, for the rest of my life.
Ingmar Bergman