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Occasionally I sense an insane wail deep down in the pit, the echo alone reaching me, striking without warning, a child weeping uninhibitedly, imprisoned forever.

Ingmar Bergman

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Ingmar Bergman
Age: 89 †
Born: 1918
Born: July 14
Died: 2007
Died: July 30
Actor
Author
Autobiographer
Director
Film Director
Film Producer
Filmmaker
Playwright
Screenwriter
Theatrical Director
Writer
Upsala
Ernst Ingmar Bergman
Forever
Weeping
Child
Echoes
Sense
Occasionally
Without
Warning
Wail
Children
Reaching
Imprisoned
Insane
Echo
Deep
Pits
Alone
Striking

More quotes by Ingmar Bergman

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People ask what are my intentions with my films - my aims. It is a difficult and dangerous question, and I usually give an evasive answer.
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One has to manage alone as best one can. (Karin Bergman)
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Art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life, generating and degenerating itself. In former days the artist remained unknown and his work was to the glory of God.
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I think I have made just one picture that I really like.
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The individualists stare into each other's eyes and yet deny the existence of each other.
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Self-portraiture is something one should never get involved in, since it is wrong to lie even though one endeavours to tell the truth.
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Fellini, Kurosawa, and Bunuel move in the same field as Tarkovsky. Antonioni was on his way, but expired, suffocated by his own tediousness.
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To shoot a film is to organize an entire universe.
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First, I write down all I know about the story, at length and in detail. Then I sink the iceberg and let some of it float up just a little.
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To feel. To trust the feeling. I long for that
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Death: Do you never stop questioning? Antonius Block: No. I never stop.
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I am very much aware of my own double self... The well-known one is very under control everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child.
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Here, in my solitude, I have the feeling that I contain too much humanity.
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I know, of course, that by using film we can bring in other previously unknown worlds, realities beyond reality.
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My discovery of Tarkovsky's first film was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had, until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease.
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We worked on 'Fanny and Alexander' for seven months and it was an amusing production. Still, it was very long and heavy and so awfully complicated, .. And when the premiere was over and everything went well, I thought, 'That's that.' .
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Only someone who is well prepared has the opportunity to improvise.
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A film causes me so many worries and such a lot of reactions that I have to love it in order to get over it and past it.
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I have a lot of tics and phobias. I hate to travel. I hate to go to festivals. I hate it when somebody gets close behind me. I'm scared of the darkness. I hate open doors.
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I'm planning, you see, to try to confine myself to the truth. That's hard for an old, inveterate fantasy martyr and liar who has never hesitated to give truth the form he felt the occasion demanded.
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