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Vivaldi didn't write 400 concertos he wrote one concerto 400 times.

Igor Stravinsky

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Igor Stravinsky
Age: 88 †
Born: 1882
Born: June 17
Died: 1971
Died: April 6
Composer
Conductor
Musician
Pianist
omniorca
Igor Fyodorovich Stravinsky
Stravinsky
Igor Strawinski
Igor Strawinsky
Igor Stravinskii
Igor Feodorovich Stravinsky
Jgor Strawinsky
Igor Strawinskij
Igor Stravinski
Igor Fedorovich Stravinsky
I. Strawinsky
Times
Write
Didn
Writing
Concertos
Vivaldi
Concerto
Wrote

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Silence will save me from being wrong (and foolish), but it will also deprive me of the possibility of being right.
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What I cannot follow are the manic-depressive fluctuations from total control to no control, from the serialization of all elements to chance.
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A cultural snob is someone who claims to be familiar with the incomprehensible.
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It is my conviction that the public always shows itself more honest in its spontaneity than do those who officially set themselves up as judges of works of art.
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I have learned throughout my life as a composer chiefly through my mistakes and pursuits of false assumptions, not by my exposure to founts of wisdom and knowledge.
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The more controlled, limited and tormented art is, the freer it is.
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The further one separates himself from the precepts of the Christian Church, the further one distances himself from the truth. Only God can create. I make music from music.
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There is music wherever there is rhythm, as there is life wherever there beats a pulse.
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Doomed to total failure in a deaf world of ignorance and indifference, he inexorably kept on cutting out his diamonds, his dazzling diamonds, of whose mines he had a perfect knowledge.
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We cannot describe sound, but we cannot forget it either.
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I take no pride in my artistic talents they are God-given and I see absolutely no reason to become puffed up over something that one has received.
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Revolution means turning the wheel.
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Music's exclusive function is to structure the flow of time and keep order in it.
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The more constraints one imposes, the more one frees one's self. And the arbitrariness of the constraint serves only to obtain precision of execution.
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My freedom will be so much the greater and more meaningful the more narrowly I limit my field of action and the more I surround myself with obstacles. Whatever diminishes constraint diminishes strength. The more constraints one imposes, the more one frees one's self of the chains that shackle the spirit.
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Why is it that whenever I hear a piece of music I don't like, it's always by Villa Lobos?
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A plague on eminence! I hardly dare cross the street any more without a convoy, and I am stared at wherever I go like an idiot member of a royal family or an animal in a zoo and zoo animals have been known to die from stares.
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Music is, by its very nature, essentially powerless to express anything at all. Music expresses itself.
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Composition is frozen improvisation.
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The principle of the endless melody is the perpetual becoming of a music that never had any reason for starting, any more than it has any reason for ending.
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