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I know that the twelve notes in each octave and the variety of rhythm offer me opportunities that all of human genius will never exhaust.
Igor Stravinsky
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Igor Stravinsky
Age: 88 †
Born: 1882
Born: June 17
Died: 1971
Died: April 6
Composer
Conductor
Musician
Pianist
omniorca
Igor Fyodorovich Stravinsky
Stravinsky
Igor Strawinski
Igor Strawinsky
Igor Stravinskii
Igor Feodorovich Stravinsky
Jgor Strawinsky
Igor Strawinskij
Igor Stravinski
Igor Fedorovich Stravinsky
I. Strawinsky
Human
Variety
Humans
Opportunities
Never
Notes
Offers
Octave
Genius
Exhaust
Opportunity
Twelve
Inspirational
Rhythm
Music
Offer
More quotes by Igor Stravinsky
I haven't understood a bar of music in my life, but I have felt it.
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I live neither in the past nor in the future. I am in the present. I cannot know what tomorrow will bring forth. I can know only what the truth is for me today. That is what I am called upon to serve, and I serve it in all lucidity.
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I have learned throughout my life as a composer chiefly through my mistakes and pursuits of false assumptions, not by my exposure to founts of wisdom and knowledge.
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Doomed to total failure in a deaf world of ignorance and indifference, he inexorably kept on cutting out his diamonds, his dazzling diamonds, of whose mines he had a perfect knowledge.
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Too many pieces of music finish too long after the end.
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Old age is a time of humiliations, the most disagreeable of which, for me, is that I cannot work long at sustained high pressure with no leaks in concentration.
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The principle of the endless melody is the perpetual becoming of a music that never had any reason for starting, any more than it has any reason for ending.
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Music must be listened to it is not enough to hear it. A duck hears also.
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An audience is an abstraction it has no taste. It must depend on the only person who has (pardon, should have), the conductor.
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Music is given to us specifically to make order of things, to move from an anarchic, individualistic state to a regulated, perfectly concious one, which alone insures vitality and durability.
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An artist is like a pig snouting truffles.
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A good composer does not imitate he steals.
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Art postulates communion, and the artist has an imperative need to make others share the joy which he experiences himself.
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I knew I had to write a Mass of my own, but a real one.
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Just as appetite comes by eating, so work brings inspiration, if inspiration is not discernible at the beginning.
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A plague on eminence! I hardly dare cross the street any more without a convoy, and I am stared at wherever I go like an idiot member of a royal family or an animal in a zoo and zoo animals have been known to die from stares.
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I never am sea sick, never. I am sea drunk!
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Music is, by its very nature, essentially powerless to express anything at all. Music expresses itself.
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To continue in one path is to go backward.
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What gives the artist real prestige is his imitators.
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