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My general take on American music since 1969 is that it's just getting stiffer and people are getting more uptight - audience, performance, and palace guard.

Iggy Pop

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Iggy Pop
Age: 77
Born: 1947
Born: April 21
Actor
Guitarist
Musician
Recording Artist
Singer
Songwriter
Muskegon
Michigan
James Newell Osterberg
James Newell Osterberg Jr.
James Osterberg
Audience
Uptight
Getting
Palace
American
Palaces
Music
Guard
Take
Performance
People
Performances
General
Since
Stiffer

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It's the same thing: I would think, If I can't go out and pull some teenager tonight, maybe I'm no good on stage anymore. And you start to think that you even need it as a motivation. I did, anyway.
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I stayed in L.A. long enough to get on my feet, and then I moved back to New York. The reason I moved here was that I don't feel warm outside of a city it's too barren in the suburbs, and L.A. is a suburb. Here, it felt active.
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I was a pretty nice kid. Kind of quiet, but quiet in terms I wasn't going out and setting fire to anything. I had a big mouth and I was creative type, you know.
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In 1965, when great young white artists in the English-speaking world were successfully re-channeling hillbilly and black music - you know Bob Dylan, Ray Davies, Pete Townsend, Keith Richards - they didn't get any money at first. They were all broke.
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The 2 things I like the most are girls and loud noises.
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I'm a travel enthusiast.
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Look, you're here to see me, and I can't go on until my dealer is here, and he's waiting to be paid, so give me some money so I can fix up, and then you'll get your show.
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Onstage I've been hit by a grapefruit, beercans, eggs, spit, money, cigarette butts, Mandies, Quaaludes, joints, bras, panties, and a fist.
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You know what I think you get scared of more - especially me, after touring for so long and being in bands for so long - you start to associate certain behavior with the music. It's like people associate having a cigarette with having a cup of coffee, or lunch.
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When punk began to be a genre, people were going to go out and try to mine it. Some of the better groups, like the Ramones and the Sex Pistols, were very artificial.
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The people who were learning from me tended to be more commercial performers who were gonna rip off the salient idea to do it in a way that will sell, but they weren't going for the music.
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There are no pimps, no whores, no transvestites - gone. Now that's more the culture I'm comfortable in ... I don't like it in the house, you know what I mean, but I like it somewhere around.
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Bowie's a real man, and I'm a real woman - just like Catherine Deneuve.
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I thought that if I practiced doing melodies for a year or so at home, I would learn to think melodically, and when I went to work it would come out, and it did, on this album. What else was important to me...? I spend a lot of time in the grocery store, shopping.
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If I had to depend on what I actually get from sales, I'd be tending bar between sets.
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I'm a street walking cheetah with a heart full of napalm.
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And for so long, I had thought if I was going to write a song, or get into something, I had to at least smoke a joint or something. And that didn't work anymore. Once I was fairly well cleaned out, even a little bit of a drug getting into my work threw me off kilter.
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When it comes to art, money is an unimportant detail. It just happens to be a huge unimportant detail.
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I always went in with a very specific idea of the sound I wanted, and once I'd recorded I'd try and make it sell as much as I could, but I only went in thinking of a sound I wanted. So, it's no surprise to me that he got the hit and I didn't. But what I realized was that he did dress it up nicely, and my god, he does sing on key well.
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Well, it wasn't like I was going to run out and score heroin and score an ounce of coke - but incidentally, on the road, I would usually get tanked up and as stoned as I possibly could to go on stage. And offstage, it would be a demon that would come up about twice a week.
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