In comedy, it's very, very important to be able to open up so that people feel they're included.

If you really want to make a difference for the customer, so what you have got to do is to make sure the products that you're bringing down in price are ones that they are buying every day.

When you're working in the business and you are genuinely trying to do what's right for consumers, and you're trying to genuinely do what's right for suppliers, but the word doesn't get out, the word doesn't get heard because frankly the media is not interested because it hasn't got a conflict attached to it.

There is a complete disconnect really or should be a disconnect between the retail price of the milk and what's actually going on in the marketplace, and what influences the farm gate price is the export market.

I think it's very important for Arts Ministers to purchase art, to attend art, to validate art.

Having a situation where you have got in conflict with your suppliers all the time is not a great place to be.

You don't like to have people believing that you're doing the wrong thing which is why we're trying to make sure that people recognise that we do the right thing.

I become quite inhibited particularly when I do comedy, I won't - there's a whole thing of allowing an audience in and if you - if you cover yourself with a mask of, kind of, severity, which I'm quite good at doing, that's masking fear of course, then people feel shut out.