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Politics is the enemy of the imagination.
Ian Mcewan
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Ian Mcewan
Age: 76
Born: 1948
Born: June 21
Author
Film Producer
Novelist
Playwright
Screenwriter
Writer
Belfast
Ireland
Politician
Imagination
Enemy
Politics
More quotes by Ian Mcewan
He never believed in fate or providence, or the future being made by someone in the sky. Instead, at every instant, a trillion trillion possible futures the pickiness of pure chance and physical laws seemed like freedom from the scheming of a gloomy god.
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But what really happened? The answer is simple: the lovers survive and flourish.
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In that shrinking moment he discovered that he had never hated anyone until now. It was a feeling as pure as love, but dispassionate and icily rational.
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I often don't read reviews.
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London in the '70s was a pretty catastrophic dump, I can tell you. We had every kind of industrial trouble we had severe energy problems we were under constant terrorist attack from Irish terrorist groups who had started a bombing campaign in English cities politics were fantastically polarized between left and right.
Ian Mcewan
When they kissed she immediately felt his tongue, tensed and strong, pushing past her teeth, like some bully shouldering his way into a room. Entering her.
Ian Mcewan
I apologize for being obvious, but every time I watch the curtain come down on even a halfway decent production of a Shakespeare play I feel a little sorrowful that I'll never know the man, or any man of such warm intelligence.
Ian Mcewan
It is not the first duty of the novelist to provide blueprints for insurrection, or uplifting tales of successful resistance for the benefit of the opposition. The naming of what is there is what is important.
Ian Mcewan
These were everyday sounds magnified by darkness. And darkness was nothing - it was not a substance, it was not a presence, it was no more than an absence of light.
Ian Mcewan
i'm going mad, i told myself. let me not be mad.
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It's good to get your hands dirty a bit and to test how you see things at a given point. And it's very pleasing after writing something like 'Atonement' or 'On Chesil Beach,' which are historical, to get involved in some plausible re-enactment of the here and now.
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She returned his gaze, struck by the sense of her own transformation, and overwhelmed by the beauty which a lifetime havit had taught her to ignore.
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Finally, you had to measure yourself by other people - there really was nothing else. every now and then, quite unintentionally, someone taught you something about yourself.
Ian Mcewan
Narrative tension is primarily about withholding information.
Ian Mcewan
Nothing that can be, can come between me and the full prospect of my hopes.
Ian Mcewan
There's a taste in the air, sweet and vaguely antiseptic, that reminds him of his teenage years in these streets, and of a general state of longing, a hunger for life to begin that from this distance seems like happiness.
Ian Mcewan
Daylight seemed then to be the physical manifestation of common sense.
Ian Mcewan
This is the pain-pleasure of having newly adult children they're innocent and ruthless in forgetting their sweet old dependence.
Ian Mcewan
I was the basest of readers. All I wanted was my own world, and myself in it, given back to me in artful shapes and accessible form.
Ian Mcewan
There was, in my view, an unwritten contract with the reader that the writer must honour. No single element of an imagined world or any of its characters should be allowed to dissolve on an authorial whim. The invented had to be as solid and as self-consistent as the actual. This was a contract founded on mutual trust.
Ian Mcewan