Quote

All the time I was playing the flute, the lines, the solos, the riffs, the construction, were based on my guitar skills. I did not play the flute to exploit its natural faculties, but I used it as a surrogate guitar.

Ian Anderson

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Ian Anderson
Age: 77
Born: 1947
Born: August 10
Composer
Flutist
Guitarist
Saxophonist
Singer
Singer-Songwriter
Songwriter
Ian Scott Anderson
Based
Exploit
Playing
Exploits
Lines
Faculties
Riffs
Natural
Solo
Surrogate
Used
Construction
Solos
Play
Faculty
Surrogates
Time
Guitar
Flute
Skills
Flutes

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I don't think people really do listen. We plug into music, and we have short attention spans. We tend to download individual tracks from iTunes rather than a whole album. We buy music DVDs and watch them once, and then they disappear into a drawer, or we loan them to a friend, and we never watch it again.
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Question all as to their ways and learn the secrets that they hold
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The Rock and Roll Hall of Fame traditionally has had a management style that is very supportive of American talent, first and foremost, over everything else. And I think that's right and proper.
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Oh father high in heaven - smile down upon your sonWho's busy with his money games - his women and his gun.
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The original Jethro Tull was a 19th century English agriculturist who invented a seed drill you see. The first automatic process where by small holes were made in Mother Earth and even smaller seeds were deposited one at a time and neatly covered over as a cat does after having being naughty.
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I make up my own mind in light of available facts, with my own experience and a sense of personal ethics.
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I feel the audience has a right to know if some of the money they're spending is going to a certain cause, and reassuring them the money is going to where it's supposed to be going.
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I think I've owned all the models of iPods so far. And these days between my iPod, iPhone and my personal laptop computer, I'm someone who is very, very grateful for all the ways to listen to music and completely switch off from people around me and listen to the music in detail, which is very hard to do if you're in a room with other people.
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I'm very much an observer and a conduit of thoughts and ideas.
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A lot of pop music is about stealing pocket money from children.
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If Jesus Christ came back today, He and I would get into our brown corduroys and go to the nearest jean store and overturn the racks of blue denim.
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As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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I can never make up my mind if I'm happy being a flute player, or if I wish I were Eric Clapton.
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Why do the faithful have such a will, to believe in something? And call in the name they choose, having chosen nothing.
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It was instilled in me that the money I was given was not to be lost or spent on any other purpose.
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It's nice to be recognized, but it's not great to have it too conspicuously recognized, if you see what I mean. Gold records on the wall, or titles after your name, it's just not something... I don't feel that great about it.
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As a musician, life is not over just because you are getting older, and so I find retirement a very frightening and dark thought.
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It might work with one orchestra, and the next orchestra - the oboe player might not get it. It's different every time, but some of the orchestras do end up enjoying it and having a great time.
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Classical music only really came into my life in 1969. I wish I had heard classical music and church music when I was a teenager or even as a child.
Ian Anderson