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I'm so used to Australian films not getting a release outside Australia.

Hugo Weaving

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Hugo Weaving
Age: 64
Born: 1960
Born: April 4
Actor
Film Actor
Stage Actor
Television Actor
Voice Actor
Hugo Wallace Weaving
Australian
Australia
Release
Films
Outside
Getting
Film
Used

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If the script grabs me and appeals to me, I'm really very keen to work on it.
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Never send a human to do a machine's job.
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If a film isn't really talking about who we are and what our psychologies are, then we're probably not that interested in it, actually.
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As an actor, to play someone who's at war with himself, that's so interesting.
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It's a real pleasure to go to work when you're in the most extraordinary surroundings, and working with people who are young and interested and creatively keen.
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I used to have two double espressos a day. I gave that up, had headaches for five days but now I'm feeling great.
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I packed coffee once when I lived in Australia, and I just remember going around every day with coffee up my nose and in my ears.
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I still, by and large, make low-budget Australian films.
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I didn't get my licence because I wasn't allowed to. But I haven't had a seizure for a long time so I could, theoretically, get my licence. But I'm now just so used to not driving, I'm scared of what I'd do.
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There's nothing like being on a massive-budget film where you don't know anything, and there's a million people, and no one's communicating.
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I certainly don't advocate terrorism as a way of progressing and understanding people, nor do I believe labeling everything as a terrorist act is helpful either.
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To me acting originally became an extension of game playing.
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I generally find an affinity with a lot of the people I play and I suppose if I didn't feel an affinity for them then they wouldn't be particularly good performances.
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Both my parents are English and I was born in West Africa, and I moved around as a kid, lived in Bristol, lived in Buckinghamshire and Surrey as a kid, and then moved when I was 16.
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Film sets are constantly amusing because you really are creating something that is so very surreal, and I kind of like that.
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Across the board, Australian films need to have a lot more money spent on selling them.
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I do feel like I'm not entirely an insider.
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As human beings, of course, we're all compromised and complex and contradictory and if a screenplay can express those contradictions within a character and if there's room for me to express them, that's a part I'd love to play, so much more than a character who is heroic and one-dimensional.
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When you're a kid you have this sense of wonder and wholeness and a strong sense of your own identity.
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Having agreed to play Elrond, I realized how much had to be worked out about this character: the idea of portraying someone who is immortal, for one thing plus the fact he is noble, wise, powerful, good - and beautiful! I began to think that he was altogether impossible to play!
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