Quote

You will have to scrutinize the model sharply to find the proportions - how the weight is supported, how each joint is functioning... Look for the color and tone and texture... how the light falls on the figure, especially the face.

Howard Pyle

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Howard Pyle
Age: 58 †
Born: 1853
Born: January 1
Died: 1911
Died: January 1
Illustrator
Painter
University Teacher
Writer
Wilmington
Delaware
H. Pyle
Fall
Models
Functioning
Light
Figure
Joints
Find
Weight
Texture
Look
Figures
Supported
Looks
Especially
Falls
Scrutinize
Color
Proportion
Sharply
Face
Tone
Proportions
Faces
Model
Joint

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He who jumps for the moon and gets it not leaps higher than he who stoops for a penny in the mud.
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The student learns rules but all the rules in the world never make a picture.
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A good deal of large and rather interesting work is drifting my way.
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What is done is done and the cracked egg cannot be cured.
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I put on my dream-cap one day and stepped into Wonderland.
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Throw your heart into the picture and then jump in after it.
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I managed to potter along tolerably well in the morning, sitting in the sun and sketching the old buildings... but in the afternoon, sitting in the shade... with stiff fingers and chilled bones... the water froze in little cakes all over the picture.
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Paint your picture by means of the lights. Lights define texture and color - shadows define form.
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The stories of childhood leave an indelible impression, and their author always has a niche in the temple of memory from which the image is never cast out to be thrown on the rubbish heap of things that are outgrown and outlived.
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Your subjects have had a history - try to reveal it in your picture.
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When the flood cometh it sweepeth away grain as well as chaff.
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Young people, don't get the idea that you have an artistic temperament which must be humored. Don't believe you cannot do good work unless you feel in tile mood for it. That is all nonsense. I frequently have to force myself to make a start in the morning but after a short while I find I can work. Only hard and regular work will bring success.
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I take back all I ever said about the Old Masters. They give great lessons.
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Don't take my criticisms as iron-clad rules but more as suggestions.
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If in making a picture you introduce two ideas, you weaken it by half-if three, it weakens by compound ratio-if four, the picture will be really too weak to consider at all and the human interest would be entirely lost.
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I should like to make myself free to all who care to attend my lectures.
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I am of use to the younger artists through the advice and criticism which I give them.
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Talk about life - but in your own way.
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So passed the seasons then, so they pass now, and so they will pass in time to come, while we come and go like leaves of the tree that fall and are soon forgotten.
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For ages past the Genius of Literature and the Genius of Art have walked together hand in hand. For the Goddess of letters is blind, and only she of Art can lend her sight.
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