When I write, I am not giving a lecture, I am speculating on behavior. Sometimes this is dangerous, but it should be. As I say often, theatre is a dark place and we should keep the light out of it.

I’ve often taken important classical, biblical or literary stories and interrogated them. I have tried to reinvigorate Lot by interpreting it differently.

I'm not interested in entertainment.

A good play puts the audience through a certain ordeal.

I have plenty of political views and plenty of social and personal prejudices. I do not, however, value them.

Theatre should be a taxing experience: the greatest achievement of a writer is to produce a character who creates anxiety.

I believe in poetic discourse, in the value of speech in a non-naturalistic way it's speculative.

We are suffocated by writers who want to enlighten us with their truths. For me, the theatre is beautiful because it is a secret, and secrets seduce us, we all want to share secrets.

I'm not interested in observed reality.

I submit all my plays to the National Theatre for rejection. To assure myself I am seeing clearly.

Tragedy is the greatest art form of all. It gives us the courage to continue with our life by exposing us to the pain of life. It is unsentimental, it takes us seriously as human beings, it is not condescending. Paradoxically, by seeing pain we are made greater, it becomes a need.