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So in other words, we were constantly challenged to grow, and thats what a master does.

Herbie Hancock

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Herbie Hancock
Age: 84
Born: 1940
Born: April 12
Actor
Bandleader
Conductor
Film Score Composer
Jazz Musician
Jazz Pianist
Keyboardist
Musician
Pianist
Singer-Songwriter
Chicago
Illinois
Herbert Jeffrey Herbie Hancock
Herbert Jeffrey Hancock
Doe
Challenged
Thats
Master
Constantly
Masters
Grow
Grows
Words

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I try to practice with my life.
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We need to put into practice the idea of embracing other cultures. We need to be shaping the kind of world we want to live in instead of waiting for someone else or some other entities to do it for us.
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Life is not about finding our limitations, it's about finding our infinity.
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Jazz has been the voice of freedom for so many countries over the past half century.
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Don't be afraid to expand yourself, to step out of your comfort zone. That's where the joy and the adventure lie.
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The cool thing is that jazz is really a wonderful example of the great characteristics of Buddhism and great characteristics of the human spirit. Because in jazz we share, we listen to each other, we respect each other, we are creating in the moment. At our best, we're non-judgmental.
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The spirit of jazz is the spirit of openness.
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I spent five years, at least, working with Miles. Together, we recorded ESP, Nefertiti, Sorcerer -- and I can tell you each of these albums instantly became jazz classics. Hey, we had Wayne Shorter playing tenor sax, Ron [Carter] on bass, Tony Williams played drums. That was great band we had.
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I'm one of the people who was a pioneer in encouraging musicians, early in the game, to get interested in technology, and now all the musicians are getting into it.
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Oscar Peterson is the greatest living influence on jazz pianists today.
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There are a lot of records coming out, in every field of music, not just jazz.
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I feel a lot more secure about the directions I take, than I might have, had I not practiced Buddhism.
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The thing that we possess, that machines don't, is the ability to exhibit wisdom.
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I like the idea of an eclectic approach, incorporating jazz with other forms and other genres of music.
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I don't think there are any pure Africans of the African Americans, but the African part of our history was pretty much taken away from us during slavery, so the 60s gave us a chance, because of the civil rights movement, to kind of re-examine and make some sort of formal connection to our African-ness.
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It's part of my nature. I get excited when trying out new stuff, whether it be an idea or equipment. It stimulates my juices.
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Jazz translates the moment into a sense of inspiration for not only the musicians but for the listeners.
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One thing that attracted me to Buddhism was the support for this larger vision of values.
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Nobody told me I was a child prodigy.
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One of the greatest experiences I ever had was listening to a conversation with Joni Mitchell and Wayne Shorter. Just to hear them talking, my mouth was open. They understand each other perfectly, and they make these leaps and jumps because they don't have to explain anything.
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