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It's part of my nature. I get excited when trying out new stuff, whether it be an idea or equipment. It stimulates my juices.

Herbie Hancock

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Herbie Hancock
Age: 84
Born: 1940
Born: April 12
Actor
Bandleader
Conductor
Film Score Composer
Jazz Musician
Jazz Pianist
Keyboardist
Musician
Pianist
Singer-Songwriter
Chicago
Illinois
Herbert Jeffrey Herbie Hancock
Herbert Jeffrey Hancock
Ideas
Juice
Trying
Equipment
Excited
Whether
Idea
Stuff
Nature
Juices
Part
Stimulates

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When I was in my early teens, I remember coming to the conclusion that your life never ends.
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You make different colors by combining those colors that already exist.
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The music becomes something that is its own entity.
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People always want to protect what's really going on inside. They want to kind of make visible something that looks more pleasant than what may be happening inside of themselves.
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Back in the day for me was a great time in my life - I was in my 20s. Most people refer to their experiences in their twenties as being a highlight in their life. It's a period of time where you often develop your own way, your own sound, your own identity, and that happened with me, when I was with a great teacher - Miles Davis.
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I hope that I can make good music out of whatever genre I go into. Just to prove to myself that I can.
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Nobody told me I was a child prodigy.
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The thing that we possess, that machines don't, is the ability to exhibit wisdom.
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There are a lot of records coming out, in every field of music, not just jazz.
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Jazz translates the moment into a sense of inspiration for not only the musicians but for the listeners.
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Miles' sessions were not typical of anybody else's sessions. They were totally unique.
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The cool thing is that jazz is really a wonderful example of the great characteristics of Buddhism and great characteristics of the human spirit. Because in jazz we share, we listen to each other, we respect each other, we are creating in the moment. At our best, we're non-judgmental.
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You can change your character and, at the same time, change your fortune.
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The Internet opens up a whole new range of possibilities in a wide range of areas.
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I've never really been interested in doing a solo piano tour.
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Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever their influences were.
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In World War II, jazz absolutely was the music of freedom, and then in the Cold War, behind the Iron Curtain, same thing. It was all underground, but they needed the food of freedom that jazz offered.
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It's not the style that motivates me, as much as an attitude of openness that I have when I go into a project.
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I think I was supposed to play jazz.
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I'm aware that a lot of what is happening in jazz has not had a very dynamic change in a long time.
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