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I'm always interested in looking forward toward the future. Carving out new ways of looking at things.

Herbie Hancock

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Herbie Hancock
Age: 84
Born: 1940
Born: April 12
Actor
Bandleader
Conductor
Film Score Composer
Jazz Musician
Jazz Pianist
Keyboardist
Musician
Pianist
Singer-Songwriter
Chicago
Illinois
Herbert Jeffrey Herbie Hancock
Herbert Jeffrey Hancock
Ways
Looking
Future
Way
Always
Carving
Things
Forward
Toward
Interested

More quotes by Herbie Hancock

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The value of music is to be able to play one note at the right time in the right way.
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We need to move into a culture of peace. What I hope to promote is the idea that we all need each other and that the greatest happiness in life is not how much we have but how much we give. That's a wealth that's priceless. You can't buy compassion.
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When you struggle to reach for something you don't know, that's where most of the interesting stuff is.
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I've always been interested in science. I used to take watches apart and clocks apart, and there's little screws, and a little this and that, and I found out if I dropped one of them, that thing ain't gonna work.
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One of the greatest experiences I ever had was listening to a conversation with Joni Mitchell and Wayne Shorter. Just to hear them talking, my mouth was open. They understand each other perfectly, and they make these leaps and jumps because they don't have to explain anything.
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Miles' sessions were not typical of anybody else's sessions. They were totally unique.
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I don't go around, the way many musicians do, with earbuds in my ear listening to my iPod all day and just sticking my head in the music all the time.
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I keep recycling and repackaging music that I've done in the past, as though I can't write anymore. Like, okay, I'm done with that. But I need to kind of prod myself again into come on, Herbie, get off your duff and start writing some new music.
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I spent five years, at least, working with Miles. Together, we recorded ESP, Nefertiti, Sorcerer -- and I can tell you each of these albums instantly became jazz classics. Hey, we had Wayne Shorter playing tenor sax, Ron [Carter] on bass, Tony Williams played drums. That was great band we had.
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Technology has developed to a whole other level and theres the scientist part of me that loves that stuff.
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Creativity shouldn't be following radio it should be the other way around.
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I'm one of the people who was a pioneer in encouraging musicians, early in the game, to get interested in technology, and now all the musicians are getting into it.
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It's part of life to have obstacles. It's about overcoming obstacles that's the key to happiness.
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A jazz musician is not a jazz musician when he or she is eating dinner or when he or she is with his parents or spouse or neighbors. He's above all a human being . . . the true artform is being a human being.
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I like the idea of an eclectic approach, incorporating jazz with other forms and other genres of music.
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My father was really good with math. It's a funny thing, I don't remember my father or my mother being so mechanical-minded. My father always wanted to be a doctor, but he came from a really poor family in Georgia, and there was no way he was going to be a doctor.
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I'm aware that a lot of what is happening in jazz has not had a very dynamic change in a long time.
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The music becomes something that is its own entity.
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I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
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I like to be on the edge, on the cutting edge, or be into the unknown, into the territory where I have to depend on being in the moment and depending on my instincts.
Herbie Hancock