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Creativity shouldn't be following radio it should be the other way around.

Herbie Hancock

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Herbie Hancock
Age: 84
Born: 1940
Born: April 12
Actor
Bandleader
Conductor
Film Score Composer
Jazz Musician
Jazz Pianist
Keyboardist
Musician
Pianist
Singer-Songwriter
Chicago
Illinois
Herbert Jeffrey Herbie Hancock
Herbert Jeffrey Hancock
Music
Way
Shouldn
Jazz
Following
Radio
Creativity
Around

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Wisdom is the key to understanding the age, creating the time.
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It's part of my nature. I get excited when trying out new stuff, whether it be an idea or equipment. It stimulates my juices.
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The spirit of jazz is the spirit of openness.
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We need to move into a culture of peace. What I hope to promote is the idea that we all need each other and that the greatest happiness in life is not how much we have but how much we give. That's a wealth that's priceless. You can't buy compassion.
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There are a lot of records coming out, in every field of music, not just jazz.
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Getting the Oscar had the biggest impression on me.
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People always want to protect what's really going on inside. They want to kind of make visible something that looks more pleasant than what may be happening inside of themselves.
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I think risk-taking is a great adventure. And life should be full of adventures.
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It's not exclusive, but inclusive, which is the whole spirit of jazz.
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I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
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A great teacher is one who realizes that he himself is also a student and whose goal is not dictate the answers, but to stimulate his students' creativity enough so that they go out and find the answers themselves.
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In World War II, jazz absolutely was the music of freedom, and then in the Cold War, behind the Iron Curtain, same thing. It was all underground, but they needed the food of freedom that jazz offered.
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Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever their influences were.
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My father was really good with math. It's a funny thing, I don't remember my father or my mother being so mechanical-minded. My father always wanted to be a doctor, but he came from a really poor family in Georgia, and there was no way he was going to be a doctor.
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I'm one of the people who was a pioneer in encouraging musicians, early in the game, to get interested in technology, and now all the musicians are getting into it.
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I'm aware that a lot of what is happening in jazz has not had a very dynamic change in a long time.
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If you're not judging what happens, then you're trusting what others are doing, what you're playing, and trusting what you're playing.And it can lead you to other ideas, to something maybe you hadn't expressed before.
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I don't go around, the way many musicians do, with earbuds in my ear listening to my iPod all day and just sticking my head in the music all the time.
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Don't be afraid to expand yourself, to step out of your comfort zone. That's where the joy and the adventure lie.
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I think I was supposed to play jazz.
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