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Creativity shouldn't be following radio it should be the other way around.
Herbie Hancock
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Herbie Hancock
Age: 84
Born: 1940
Born: April 12
Actor
Bandleader
Conductor
Film Score Composer
Jazz Musician
Jazz Pianist
Keyboardist
Musician
Pianist
Singer-Songwriter
Chicago
Illinois
Herbert Jeffrey Herbie Hancock
Herbert Jeffrey Hancock
Music
Way
Shouldn
Jazz
Following
Radio
Creativity
Around
More quotes by Herbie Hancock
I've been curious ever since I was a little kid.
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People are afraid to spend money now because they dont know how long theyre going to be working.
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Miles' sessions were not typical of anybody else's sessions. They were totally unique.
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The thing that we possess, that machines don't, is the ability to exhibit wisdom.
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Getting the Oscar had the biggest impression on me.
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Nobody told me I was a child prodigy.
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Don't be afraid to expand yourself, to step out of your comfort zone. That's where the joy and the adventure lie.
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A great teacher is one who realizes that he himself is also a student and whose goal is not dictate the answers, but to stimulate his students' creativity enough so that they go out and find the answers themselves.
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The value of music is to be able to play one note at the right time in the right way.
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I think risk-taking is a great adventure. And life should be full of adventures.
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One thing that attracted me to Buddhism was the support for this larger vision of values.
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I've never really been interested in doing a solo piano tour.
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I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
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Without wisdom, the future has no meaning, no valuable purpose.
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I don't think there are any pure Africans of the African Americans, but the African part of our history was pretty much taken away from us during slavery, so the 60s gave us a chance, because of the civil rights movement, to kind of re-examine and make some sort of formal connection to our African-ness.
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When you struggle to reach for something you don't know, that's where most of the interesting stuff is.
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It's not the style that motivates me, as much as an attitude of openness that I have when I go into a project.
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I spent five years, at least, working with Miles. Together, we recorded ESP, Nefertiti, Sorcerer -- and I can tell you each of these albums instantly became jazz classics. Hey, we had Wayne Shorter playing tenor sax, Ron [Carter] on bass, Tony Williams played drums. That was great band we had.
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I like to be on the edge, on the cutting edge, or be into the unknown, into the territory where I have to depend on being in the moment and depending on my instincts.
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I think I was supposed to play jazz.
Herbie Hancock
