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Progress is measured by the degree of differentiation within a society.
Herbert Read
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Herbert Read
Age: 74 †
Born: 1893
Born: November 4
Died: 1968
Died: June 12
Anarchist
Art Historian
Literary Critic
Philosopher
Poet
Writer
Muscoates
North Yorkshire
Sir Herbert Edward Read
Herbert Read
Sir Herbert Read
Herbert Edward Read
Degree
Degrees
Progress
Literature
Within
Society
Differentiation
Measured
More quotes by Herbert Read
Once we become conscious of a feeling and attempt to make a corresponding form, we are engaged in an activity which, far from being sincere, is prepared (as any artist if he is sincere will tell you) to moderate feelings to fit the form. The artist's feeling for form is stronger than a formless feeling.
Herbert Read
If we persist in our restless desire to know everything about the universe and ourselves, then we must not be afraid of what the artist brings back from his voyage of discovery.
Herbert Read
But the further step, by means of which a civilization is given its quality or culture, is only attained by a process of cellular division, in the course of which the individual is differentiated, made distinct from and independent of the parent group.
Herbert Read
Freud has shown one thing very clearly: that we only forget our infancy by burying it in the unconscious and that the problems of this difficult period find their solution under a disguised form in adult life.
Herbert Read
Intellect begins with the observation of nature, proceeds to memorize and classify the facts thus observed, and by logical deduction builds up that edifice of knowledge properly called scienceĀ But admittedly we also know by feeling, and we can combine the two faculties, and present knowledge in the guise of art.
Herbert Read
My own early experiences in war led me to suspect the value of discipline, even in that sphere where it is so often regarded as the first essential for success.
Herbert Read
Progress is measured by richness and intensity of experience - by a wider and deeper apprehension of the significance and scope of human existence.
Herbert Read
Nobody seriously believes in the social philosophies of the immediate past.
Herbert Read
I know of no better name than Anarchism.
Herbert Read
In order to create it is necessary to destroy and the agent of destruction in society is the poet. I believe that the poet is necessarily an anarchist, and that he must oppose all organized conceptions of the State, not only those which we inherit from the past, but equally those which are imposed on people in the name of the future.
Herbert Read
To realize that new world we must prefer the values of freedom and equality above all other values - above personal wealth, technical power and nationalism.
Herbert Read
The modern work of art, as I have said, is a symbol.
Herbert Read
It was Nietzsche who first made us conscious of the significance of the individual as a term in the evolutionary process-in that part of the evolutionary process which has still to take place.
Herbert Read
The only sin is ugliness, and if we believed this with all our being, all other activities of the human spirit could be left to take care of themselves.
Herbert Read
The most general law in nature is equity-the principle of balance and symmetry which guides the growth of forms along the lines of the greatest structural efficiency.
Herbert Read
Revolt, it will be said, implies violence but this is an outmoded, an incompetent conception of revolt. The most effective form of revolt in this violent world we live in is non-violence.
Herbert Read
In general, modern art... has been inspired by a natural desire to chart the uncharted.
Herbert Read
The principle of equity first came into evidence in Roman jurisprudence and was derived by analogy from the physical meaning of the word.
Herbert Read
The assumption is that the right kind of society is an organic being not merely analogous to an organic being, but actually a living structure with appetites and digestions, instincts and passions, intelligence and reason.
Herbert Read
The peculiarity of sculpture is that it creates a three-dimensional object in space. Painting may strive to give on a two-dimensional plane, the illusion of space, but it is space itself as a perceived quantity that becomes the peculiar concern of the sculptor. We may say that for the painter space is a luxury for the sculptor it is a necessity.
Herbert Read
