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Freud has shown one thing very clearly: that we only forget our infancy by burying it in the unconscious and that the problems of this difficult period find their solution under a disguised form in adult life.

Herbert Read

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Herbert Read
Age: 74 †
Born: 1893
Born: November 4
Died: 1968
Died: June 12
Anarchist
Art Historian
Literary Critic
Philosopher
Poet
Writer
Muscoates
North Yorkshire
Sir Herbert Edward Read
Herbert Read
Sir Herbert Read
Herbert Edward Read
Forget
Solution
Difficult
Unconscious
Burying
Form
Clearly
Freud
Problem
Period
Disguised
Find
Solutions
Thing
Adults
Infancy
Life
Periods
Shown
Problems
Adult

More quotes by Herbert Read

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The fundamental purpose of the artist is the same as that of a scientist: to state a fact.
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Once we become conscious of a feeling and attempt to make a corresponding form, we are engaged in an activity which, far from being sincere, is prepared (as any artist if he is sincere will tell you) to moderate feelings to fit the form. The artist's feeling for form is stronger than a formless feeling.
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Art is pattern informed by sensibility.
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Man is everywhere still in chains.
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To realize that new world we must prefer the values of freedom and equality above all other values - above personal wealth, technical power and nationalism.
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Revolt, it will be said, implies violence but this is an outmoded, an incompetent conception of revolt. The most effective form of revolt in this violent world we live in is non-violence.
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The peculiarity of sculpture is that it creates a three-dimensional object in space. Painting may strive to give on a two-dimensional plane, the illusion of space, but it is space itself as a perceived quantity that becomes the peculiar concern of the sculptor. We may say that for the painter space is a luxury for the sculptor it is a necessity.
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In order to create it is necessary to destroy and the agent of destruction in society is the poet. I believe that the poet is necessarily an anarchist, and that he must oppose all organized conceptions of the State, not only those which we inherit from the past, but equally those which are imposed on people in the name of the future.
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Nobody seriously believes in the social philosophies of the immediate past.
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Works of art must persist as objects of contemplation.
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Creeds and castes, and all forms of intellectual and emotional grouping, belong to the past.
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Perhaps it is this theory of all work and no play that has made the Marxist such a very dull boy.
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Intellect begins with the observation of nature, proceeds to memorize and classify the facts thus observed, and by logical deduction builds up that edifice of knowledge properly called scienceĀ… But admittedly we also know by feeling, and we can combine the two faculties, and present knowledge in the guise of art.
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My own early experiences in war led me to suspect the value of discipline, even in that sphere where it is so often regarded as the first essential for success.
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If we persist in our restless desire to know everything about the universe and ourselves, then we must not be afraid of what the artist brings back from his voyage of discovery.
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Love works miracles in stillness.
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Art is always the index of social vitality, the moving finger that records the destiny of a civilization. A wise statesman should keep an anxious eye on this graph, for it is more significant than a decline in exports or a fall in the value of a nation's currency.
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But all categories of art, idealistic or realistic, surrealistic or constructivist (a new form of idealism) must satisfy a simple test (or they are in no sense works of art): they must persist as objects of contemplation.
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Progress is measured by richness and intensity of experience - by a wider and deeper apprehension of the significance and scope of human existence.
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Great changes in the destiny of mankind can be effected only in the minds of little children.
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