I feel I'm just meant to do stop-motion. Live-action is much more glamorous to some, but it's basically a whole army of people focused on one thing.

There's very few people who want to just make beautiful films that make money when they can make films that make huge money.

Miyazaki's films in Japan are bigger than Titanic. He's an incredible rock star there. In the US, they don't do as well.

It's nice to be taken seriously.

I'm supporting an up-and-coming director. It's the time in my life that I want to share what I know and pass it along.

I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire.

There's definitely the desire out there for young people who want to make the movies.

This Golden Globe nomination is sweet validation for the years of hard work it took to bring Coraline to life using stop-motion animation with the greatest crew of animators, artists, and technicians I've ever been privileged to work with. I share this nomination with all of them and we all share our thanks to the Hollywood Foreign Press.

There's always kids who become stop motion animators. I get stuff all the time. They put it on YouTube. It's exciting to see.

We are suffering from a glut of too many 3-D movies and not enough screens.

What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page thats really dark and adds a little sweetness to it, a living toys realm.

People spend the money where the money is. Nightmare never goes away.

I'm not a public enough persona to be big and loud at the front of the ship. I'd rather more quietly interact with the artisan animators.

'Coraline' is Neil Gaiman's book, it sold a lot, it has a big fan base. It was originally conceived to be live action, but I never really wanted it to be. I always thought that it would work better as an animated film.

Having to make a blockbuster every time puts unhealthy pressure on creatives. The pressure on the filmmakers is so intense, I think it stifles the creativity.