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His mouth is a no-go area. It's like kissing the Berlin Wall.

Helena Bonham Carter

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Helena Bonham Carter
Age: 58
Born: 1966
Born: May 26
Actress
Film Actor
Stage Actor
Voice Actor
Kissing
Mouths
Areas
Wall
Berlin
Like
Cute
Area
Mouth

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Why do you put your self esteem in the hands of complete strangers?
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Maybe from now on puppets can do the parts
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It feels like a rash. It suddenly seems like I've got a contagion of diseases, I mean awards. But it's nice, it's a nice feeling. It's so weird, because I'm only 46. A lifetime Achievement award... it feels like 'I'm not over yet'. I hope they're not trying to say it's time to stop. I'm only just getting the gist of it.
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Because I sleep with him he asked me to audition, you know?
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Am I a good example? Well, at least I'm not too thin. I eat.
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I'm not dead and I don't have blue hair but some people say there are similarities. It is usually intolerable to watch myself onscreen but this time it's fine. I think it's beautiful and a real work of art.
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I do think imperfection's underrated.
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I loved doing all those costume dramas. I didn't think, 'Ooh I've got to avoid being typecast' - you can't ever be dictated to by what other people think. I just do things because I fancy the parts and the directors.
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And trust. It takes a long time to trust someone. You work with people, anybody you dont know, it takes about a films length to get to know each other. Then if you move on, you have to start right back at the beginning. But if you carry on together and try doing different things, you can all grow together.
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Be yourself. No one else can.
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I'm drawn to emotionally damaged characters because there is more to unlock.
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Tim also has enough confidence so that it always looks like a Tim Burton film, but it really is collaborative. You're allowed to do it your way but of course he's always going to choose his way.
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You can actually have a pitch button, you know, to get people on pitch.
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You become very angry and depressed that you keep getting offered only these exceedingly demure and repressed roles. They're so not me. That's why films like Fight Club were so important to me because I think I confounded certain stereotypes and limited perceptions of what I could do as an actress.
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It took me so many years to move out. I'm definitely a bit of a Peter Pan, reluctant to grow up. It all seemed really nice at home-why change it? Part of me would prefer not to have any responsibility whatsoever.
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The thing about the Oscars is real life doesn't stop. You have to get back to planet Earth the following morning. The rubbish needs taking out. The kids will be crying. They'll need feeding. Kids do not care whether you've been to the Oscars!
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Usually I'm frustrated when I look at my films and I don't believe that I've made a real transformation beyond my usual sets of gestures and expressions. I still have this nagging feeling that it's me, that I didn't create a unique character.
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I should get a few ribs taken out, because I'll be in a corset for the rest of my life.
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But it's often been the case, I've done so many countless small, independent films that really 3.2 people have seen, so you never know. You do it for the joy of the part and not necessarily expect anyone to see the final product.
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I always feel better after a good scream.
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