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When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
Helena Bonham Carter
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Helena Bonham Carter
Age: 58
Born: 1966
Born: May 26
Actress
Film Actor
Stage Actor
Voice Actor
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Audience
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Acting
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Actor
More quotes by Helena Bonham Carter
Not only was it nearly impossible to hear because of these huge rubber ears we had to wear, but we also had these huge furry hands which were absolutely useless, especially if you had to scratch yourself.
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I should get a few ribs taken out, because I'll be in a corset for the rest of my life.
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You become very angry and depressed that you keep getting offered only these exceedingly demure and repressed roles. They're so not me. That's why films like Fight Club were so important to me because I think I confounded certain stereotypes and limited perceptions of what I could do as an actress.
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I loved doing all those costume dramas. I didn't think, 'Ooh I've got to avoid being typecast' - you can't ever be dictated to by what other people think. I just do things because I fancy the parts and the directors.
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On corsets: I said, You have got to be kidding. I am an ape and yet I am still expected to squeeze myself into one of those damn things.
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I'm always attracted to lower budget, not because it's lower budget, but because they tend to be better scripts.
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Famous people come up to me, but I don't know who they are because my sight is so bad. It's always at the pool of the Four Seasons in Beverly Hills when I don't have my lenses in and my glasses are in my room.
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I think Woody Allen is pretty much of a genius. I'm thinking of filmmakers every century or two, but I've never had the luck to meet them. People who create their absolutely own world and are totally inimitable.
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I look completely like my mum. She's very foreign, very Jewish.
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You learn to rely on a few basic movements and use your voice to the greatest extent possible to convey your emotions. So there was a technical challenge there and a responsibility to create a character from behind the mask.
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No, I can never rely on Tim to make me pretty.
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Usually I'm frustrated when I look at my films and I don't believe that I've made a real transformation beyond my usual sets of gestures and expressions. I still have this nagging feeling that it's me, that I didn't create a unique character.
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It was weird because I was pregnant, throughout that so it was weird being a pregnant witch. I was in a really bad mood but luckily, because I sleep with the director, he just sort of scheduled me so I only had to do it two nights.
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I remember I did think, 'Wouldn't it be nice if Mr Right moved in next door?'
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But it's often been the case, I've done so many countless small, independent films that really 3.2 people have seen, so you never know. You do it for the joy of the part and not necessarily expect anyone to see the final product.
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It was a challenge to be able to create a character without being able to use one's normal set of expressions. All the rubber and makeup attached to your face left you with only a modest range of facial movements.
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What I loved about playing the corpse is that obviously somebody else got to do the physical part. It appeals to the part of me that likes playing character parts and getting the chance to get away from my own physicality.
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Wear what you feel comfortable with. People say nasty things about what I wear in the street. I'm always in worst dressed lists, but you just have to dress for yourself and nobody else.
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I just do things because I fancy the parts and the directors.
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I was a mixture of being incredibly old for my age and incredibly backwards. I was born quite old, but then I stopped growing. I lived with my mum and dad till I was 30.
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