Quote

You learn to rely on a few basic movements and use your voice to the greatest extent possible to convey your emotions. So there was a technical challenge there and a responsibility to create a character from behind the mask.

Helena Bonham Carter

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Helena Bonham Carter
Age: 58
Born: 1966
Born: May 26
Actress
Film Actor
Stage Actor
Voice Actor
Create
Basic
Responsibility
Challenge
Convey
Possible
Behinds
Movements
Voice
Behind
Technical
Learn
Emotion
Mask
Use
Movement
Extent
Character
Challenges
Rely
Greatest
Emotions

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I enjoy those small chats you have when people come up and talk to you about your work. It only involves a few seconds of effort to be nice to those people, and I am very grateful for the kind words that people have taken the trouble to express to me in person.
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I just want to give you this one piece of advice: if you're standing and you could be sitting, sit. If you're sitting and you could be lying down, lie down.
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And trust. It takes a long time to trust someone. You work with people, anybody you dont know, it takes about a films length to get to know each other. Then if you move on, you have to start right back at the beginning. But if you carry on together and try doing different things, you can all grow together.
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The parenting bit is much harder than the acting bit. You just never know what to do.
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I look completely like my mum. She's very foreign, very Jewish.
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I love witches and magic and dress-up and make-believe.
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Usually I'm frustrated when I look at my films and I don't believe that I've made a real transformation beyond my usual sets of gestures and expressions. I still have this nagging feeling that it's me, that I didn't create a unique character.
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I just went and got an agent because I thought I can create my own world - you can't right your own life, but you can escape to a world where you can have control.
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Tim also has enough confidence so that it always looks like a Tim Burton film, but it really is collaborative. You're allowed to do it your way but of course he's always going to choose his way.
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I personally never got the gist of Facebook and Twitter.
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I was like one of those nauseatingly nice children. I was very, very well behaved and boring.
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No, I can never rely on Tim to make me pretty.
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No matter how many modern parts I do, people still refer to me as Mrs. Costume Drama.
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When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
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I think everything in life is art. What you do. How you dress. The way you love someone, and how you talk. Your smile and your personality. What you believe in, and all your dreams. The way you drink your tea. How you decorate your home. Or party. Your grocery list. The food you make. How your writing looks. And the way you feel. Life is art.
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I had never had any experience of autism before and I would come home and look at my son, Billy, who is now two, and be absolutely paranoid, particularly because he loves Thomas the Tank Engine, and lots of autys love Thomas. But he is not very good at pointing, and autistic children absolutely love pointing.
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I loved doing all those costume dramas. I didn't think, 'Ooh I've got to avoid being typecast' - you can't ever be dictated to by what other people think. I just do things because I fancy the parts and the directors.
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You become very angry and depressed that you keep getting offered only these exceedingly demure and repressed roles. They're so not me. That's why films like Fight Club were so important to me because I think I confounded certain stereotypes and limited perceptions of what I could do as an actress.
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It was weird because I was pregnant, throughout that so it was weird being a pregnant witch. I was in a really bad mood but luckily, because I sleep with the director, he just sort of scheduled me so I only had to do it two nights.
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His mouth is a no-go area. It's like kissing the Berlin Wall.
Helena Bonham Carter