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I had the landscape in my arms as I painted it. I had the landscape in my mind and shoulder and wrist.
Helen Frankenthaler
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Helen Frankenthaler
Age: 83 †
Born: 1928
Born: December 12
Died: 2011
Died: December 27
Designer
Lithographer
Painter
Printmaker
Watercolorist
New York City
New York
H. Frankenthaler
Mrs. Robert Burns Motherwell
Mind
Wrist
Wrists
Painted
Shoulder
Landscape
Shoulders
Arms
More quotes by Helen Frankenthaler
What concerns me when I work, is not whether the picture is a landscape, or whether it's pastoral, or whether somebody will see a sunset in it. What concerns me is - did I make a beautiful picture?
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I don't resent being a female painter. I don't exploit it. I paint.
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We would sift through every inch of what it was that worked, or if it didn't, and wonder what was effective in it, in terms of paint, the subject matter, the size, the drawing.
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One really beautiful wrist motion, that is synchronized with your head and heart, and you have it. It looks as if it were born in a minute.
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In relations with people, as in art, if you always stick to style, manners, and what will work, and you're never caught off guard, then some beautiful experiences never happen.
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A really good picture looks as if it's happened at once. It's an immediate image.
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The price for living the life I have -- for any serious, devoted person, is that at times one must live alone, or feel alone. I think loneliness is associated in many people's minds when they think about success.
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Every canvas is a journey all its own.
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You have to know how to use the accident, how to recognise it, how to control it, and ways to eliminate it so that the whole surface looks felt and born all at once.
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I'd rather risk an ugly surprise than rely on things I know I can do.
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I wanted things that I couldn't at times articulate.
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There are no rules. Let the picture lead you where it must go.
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There are no rules. That is how art is born, how breakthroughs happen. Go against the rules or ignore the rules. That is what invention is about.
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The question of sex will take care of itself.
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I have always been concerned with painting that simultaneously insists on a flat surface and then denies it.
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